"Ian McEwan's symphonic novel of love and war, childhood and class, guilt and forgiveness combines all the satisfaction of a superb narrative with the provocation we have come to expect from this master of English prose."On a summer day in 1935, thirteen-year-old Briony Tallis witnesses the flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant. But Briony's incomplete grasp of adult motives and her precocious imagination bring about a crime that will change all their lives, a crime whose repercussions Atonement follows through the chaos and carnage of World War II and into the close of the twentieth century."
Even though the start of the semester technically starts tomorrow I wanted to get a head start on the reading for my classes since I know I'm going to be completely swamped. This particular book happened to be for my Modern Brit Lit course. I saw the movie version of this book a few years ago. It was a late-night Netflix pick (which was a bad idea because -- not only is it a long movie -- but holy cow! I don't think I've ever cried so hard while watching a movie!) Now, having read the book, I think the casting was done extremely well. I definitely saw Keira Knightley as Cecilia and could definitely picture James McAvoy as Robbie (not to mention I think he's probably one of the most beautiful brooding men that exists).While there were a few tweaks here and there in the plot, I don't think they necessarily hindered the power of McEwan's story.
The book took me a bit longer to read than I thought it would. I cruised through the first hundred-or-so pages, but I slowed quite a bit after that. I don't want to give anything away, but it took about that long for the major development that I knew was coming to happen. I don't know if the hinderance was because I knew what was going to happen since I'd already seen the film or if the book itself just slowed quite a bit. Either way, I had a hard time getting through the enormously long first part of the book (which turned out to be about half of the book). Once I got through there, the already eloquent writing really brought to life the horrors of war and the tragedy experienced by both individuals and entire countries during WWII. The biggest thing I will take away from this story is the beauty of McEwan's writing style. It was reminiscent of a hodge-podge of classical British writing-styles. I sensed a bit of Austen, Woolf, and even a touch of Dickens. The entire story had some seriously dark undertones and they definitely helped to generate interest in the plot and characters. As I mentioned earlier, the book slowed a little bit in the middle, but I wonder if it wasn't because I already knew what was going to happen. I have a feeling -- with its beautiful writing -- that I wouldn't have been able to put this book down if I'd not experienced the story before.
Overall, I thought the characters were vivid and rich. I especially appreciated McEwan's technique of putting a story into a story -- as if we were reading the book that Briony wrote and was waiting to publish. That, I felt, was a unique and very interesting literary decision. I was moved by this powerful story and recommend it to anyone interested in classic British literature. McEwan's writing was extremely enthralling and it was difficult not to become absorbed in the tragedy of her characters.
*I have a feeling I'll add more to this review when we discuss this book sometime during the semester. Be on the lookout for an update!