The Vatican Princess: A Novel of Lucrezia Borgia: C. W. Gortner

"INFAMY IS NO ACCIDENT.  IT IS A POISON IN OUR BLOOD.  IT IS THE PRICE OF BEING A BORGIA.

"Bestselling author C. W. Gortner effortlessly weaves history and drama in this captivating novel about one of the world's most notorious families.  Glamorous and predatory, the Borgia fascinated and terrorized fifteenth-century Renaissance Italy, and Lucrezia Borgia, beloved daughter of the pope, was at the center of the dynasty's ambitions.  Slandered as a heartless seductress who lured men to their doom, was she in fact the villainess of legend, or was she trapped in a familial web, forced to choose between loyalty and survival?

"With the ascension of the Spaniard Rodrigo Borgia as Pope Alexander VI, a new era has dawned in Rome.  Benefitting from their father's elevation are the new pope's illegitimate children--his rival sons, Cesare and Juan, and beautiful young daughter Lucrezia--each of whom assumes an exalted position in the papal court.  Privileged and adored, Lucrezia yearns to escape her childhood and play a part in her family's fortunes.  But Rome is seductive and dangerous:  Alliances shift at a moment's notice as Italy's ruling dynasties strive to keep rivals at bay.  As Lucrezia's father faces challenges from all sides, the threat of a French invasion forces him to marry her off to a powerful adversary.  But when she discovers the brutal truth behind her alliance, Lucrezia is plunged into a perilous gambit that will require all her wits, cunning, and guile.  Escaping her marriage offers the chance of happiness with a passionate prince of Naples, yet as scandalous accusations of murder and incest build against her, menacing those she loves, Lucrezia must risk everything to overcome the lethal fate imposed upon her by her Borgia blood.


"Beautifully wrought, rich with fascinating historical detail, The Vatican Princess is the first novel to describe Lucrezia's coming-of-age in her own voice.  What results is a dramatic, vivid tale set in an era of savagery and unparalleled splendor, where enemies and allies can be one and the same, and where loyalty to family can ultimately be a curse."


At the risk of stating the obvious, it took me a very long time to read this book (as evidenced by the gap in dates between my last review and this one).  I flew through the latter half of it, so I'd have to say the cause of this delay was the fact that the beginning -- the part leading up to Lucrezia's marriage to Giovanni -- dragged on a bit.  It was interesting and filled with rich details; I can see parts were integral to setting up the characters and backstory, but I just wanted the book to get going.  There was nothing "wrong" with the first part of this book, per se, but I guess I just expected a book on the Borgias to be filled with subterfuge and intrigue right off the bat.  It took a bit to get going, but I will say that there was more than enough of this to keep me satisfied as the story progressed.


I enjoy European history, but I must admit that I knew surprisingly little about the Borgias before I picked up this book:  1) They were scandalous, murderous, cunning, ruthless, and powerful.  2) They resided in Italy.  3) They would stop at nothing to see their family succeed.  See?  That doesn't amount to much when you do even a little bit of digging and find out the rumored and true depths the Borgias went to in order to help see their family into the heights of power.  I knew even less about Lucrezia Borgia as an individual.  I recall reading some rumors about incest and murder, but this book's aim appears to have been to dispel some of these stories.


Written from the first-person perspective, I found the voice in this book to be interesting.  It covers Lucrezia's life across approximately a decade, seeing her from a naïve girl -- the apple of her powerful Papa's eye -- to a woman no longer disillusioned that her family will protect her if it goes against their own interests even in the slightest.  Shortly after her father ascends (bribes and threatens his way) to the height of religious power as Pope, Lucrezia engaged at thirteen to a man in his twenties.  The alliance is created to suit the Vatican's political aims and hopes to quell any issues with the powerful Sforzas (another recognizable name in Italian history).  She and her three brothers are the children of Rodrigo Borgia, the new pope, and a married woman, Vanozza.  Cesare is the eldest and Lucrezia's beloved elder brother.  He's handsome, talented, intelligent.  Though the Spanish title of the Borgia's is his birthright, his father forces him into the Church instead, with the aim of making him a Cardinal.  Juan is the adored favorite by both parents.  He's brash, ill-tempered, poorly-behaved, and the rivalry between Juan and Cesare which began into the cradle extends throughout their lives, encompassing even their younger sister.  After Lucrezia comes Gioffre.  She adores her younger sibling, though it becomes clear that Rodrigo is uncertain whether or not the child is actually his.  He is hesitant to issue word that he's the boy's father, but he allows him to use the Borgia name and makes sure that he's well married to suit the Borgia aims.


As the story progresses, so do the voice and narration style.  Lucrezia very slowly comes to terms with the evils of her family and learns (imperfectly) to play their games.  She realizes that, as a woman, she is a pawn; however, she is not without weapons of her own.  She falters and feels helpless at times, leaning, when she can, on Cesare.  As time passes, Lucrezia learns that her desires account for very little on the chessboard of Renaissance Italy.  She is bartered for alliances and even used as a spy against her own husband -- a matter made more complicated when she learns one of her brothers may be involved with him.  One of the more complex subplots is the relationship between Lucrezia, Juan, and Cesare.  The brothers have always been pitted against one another; their sister's favor is just another area in which they compete, though Cesare is the clear favorite over the cruel, bloodthirsty Juan.  The complex relationship creates an undertone of attraction between Lucrezia and Cesare, both confusing and terrifying for the girl.  Juan takes note of this and discovers the perfect way to have his revenge upon them both.  This sets into motion a turn of events which will forever change the Borgias.  Murder and secrets, revenge and covetousness are the plagues of the Borgia -- and it seems even Lucrezia is not immune.


After the dissolution of her first marriage to Giovanni, Lucrezia returns to society harboring a dark secret.  She is given little reprieve before she is informed of her father and eldest brother's newest machinations to see her married off in yet another alliance.  This time, they seem to have taken her interests into account.  They've allowed her to have the final say...and this time, she won't settle for anything less than love.  Finally, it seems like Lucrezia is allowed to have some happiness in her life.  She learns of what it truly means to be a wife after the farce of her first marriage and she finds protection in the arms of her second husband.  Unfortunately for Lucrezia, the Borgia reach is far and intimate.  Her happiness cannot last forever -- not as long as Borgia interests take precedence.


While the love between Lucrezia and her second husband blossoms, her relationship with Cesare becomes more strained and dangerous.  Cesare, having shed his role of Cardinal, becomes a powerful tour de force in Italy's complicated and often violent military history.  He throws himself into his tactical ventures, determined to see the name Borgia carved forever upon Italy -- he will see them live on infamy with the other great Italian empires.  Lucrezia, who knows her brother best, notices there is something terribly wrong with him.  Gone is his cool cunning, replaced with an almost irrational and violent nature.  He is ill.  And it seems that he'll stop at nothing to achieve what he most covets, even if that means destroying what little peace Lucrezia has been able to obtain.


There's a delicate, successful balance of history and fiction contained within this book.  Ripe with names, dates, and actual historical events, you feel as if you're learning something while you enjoy a work of fiction.  Granted, there is a great deal of literary license to be taken with a family as secretive and complicated as the Borgias were (the author even notes that little is known about what actually took place behind closed doors with the Borgias), but it does seem as if a great deal of research and thought was put into this book.  I would recommend a basic knowledge of the Catholic Church, the historical role of the Pope, the power the Vatican held, and the history of Italy prior to picking up this book or you may be a bit lost.  You don't have to be an expert, just have some basic knowledge or there's a chance you might not appreciate the strength, power, and influence of the Borgia family.  Lucrezia, I felt, was a great narrator and main character.  She changed and grew over time, learning that she may be a beloved Borgia daughter, but that amounted to little in the grand schemes of her family.  Cesare was another dynamic character.  He went from hero to villain, from beloved brother to selfish rival.  I wanted to believe his love for Lucrezia would win out over his own ambitions, but we learn over time that this was not to be.  The first half of Lucrezia's life was rather tragic, marked with only a few brief periods of joy before her family, once again, intervenes with their own designs.


The book took a bit to get going, but I did eventually get sucked in.  I'm glad that I stuck it out.  If you're a fan of historical fiction based upon real people and events, then this is right up your alley.  If you have an interest in infamous Italian/Spanish families, then all the better.

I Was Anastasia: Ariel Lawhon

"In an enthralling new feat of historical suspense, Ariel Lawhon unravels the extraordinary twists and turns in Anna Anderson's 50-year battle to be recognized as Anastasia Romanov.  Is she the Russian Grand Duchess or the thief of another woman's legacy?

"Countless others have rendered their verdict.  Now it is your turn.

"Russia, July 17, 1918:  Under direct orders from Vladimir Lenin, Bolshevik secret police force Anastasia Romanov, along with the entire imperial family, into a damp basement in Siberia where they face a merciless firing squad.  None survive.  At least that is what the executioners have always claimed.

"Germany, February 17, 1920:  A young woman bearing an uncanny resemblance to Anastasia Romanov is pulled shivering and senseless from a canal in Berlin.  Refusing to explain her presence in the freezing water, she is taken to the hospital where an examination reveals that her body is riddled with countless, horrific scars.  When she finally does speak, this frightened, mysterious woman claims to be the Russian Grand Duchess Anastasia.

"Her detractors, convinced that the young woman is only after the immense Romanov fortune, insist on calling her by a different name:  Anna Anderson.  As rumors begin to circulate through European society that the youngest Romanov daughter has survived the massacre, old enemies and new threats are awakened.  With a brilliantly crafted dual narrative structure, Lawhon wades into the most psychologically complex and emotionally compelling territory yet:  the nature of identity itself."

This is the book I started reading at the tail end of my vacation (it was also the last one I'd brought with me, so I am sort of grateful that I didn't fly right through it or I would have been lost).  Once again, I have Pinterest to thank for my reading material.  The algorithm it uses to come up with recommendations really is very impressive; more often than not, it seems to be able to really pick up on what my tastes gear toward and come up with books I may not have chosen for myself, but would more than likely enjoy.  This book popped up a number of times (even after I pinned it) and I came across it at my local library, so it felt a bit like fate.

I've always been fascinated with European history (more so British history than anything else) and there's just something captivating and tragic about the Romanovs.  I even enrolled in a Russian history course during my undergraduate studies (which was amazing, by the way -- in part because I was also able to learn quite a bit about the country from which most of my family originates:  Lithuania) and I found it absolutely fascinating, especially when it came to the revolution.  I grew up watching the animated film Anastasia (one of my cousins is even named "Anastasia"), so I have always been around the story of the Grand Duchess and her ill-fated family -- even in my British history studies because her mother was a granddaughter of Queen Victoria.  It was not until somewhat more recently that I was exposed to the story of Anna Anderson, the real-life woman who claimed to be THE Anastasia.  Every so often (thank you, internet, for tracking my history...), an article will pop up in my Facebook feed about Anna and her grand claims and mysterious background.  I won't give away what I have learned from these articles, but, rather, will stick to the context of this book.




I'm currently about a third of the way through this book.  It has a very unique narrative style, bouncing back and forth from Anna to Anastasia.  It transcends the decades in less than chronological order (at least for Anna) and it can be difficult to follow at times, but it is so very much worth it.  The intricacies and nuances I've been able to catch thus far are captivating.  We begin with an unnamed narrator cautioning us that conveying her story will only pass along its burden, though we continue onwards regardless.  This is followed by Anna making a last-ditch effort to remain in America before her visa expires and it is after this that the meandering hallways of Anna's memories are revealed.  We are given the distinct impression that she's a credible narrator because of the details she provides and the lengths to which she's been willing to go -- the sacrifices she's been willing to make -- in order to prove her identity.  We see how other people have tried to use her, either for monetary or notoriety gain; how she has been touted as a lost princess or sneered at as an imposter.




However, I think my favorite parts thus far have been Anastasia's point of view.  The Romanovs are often portrayed as spoiled and aloof -- totally out of touch with reality and the things they should have handled as the Russian royal family -- and I'm not disputing that they were not; however, it has been very interesting to read a different perspective.  Told from Anastasia's point of view, these sections offer a very intimate look into the Romanov family and behind closed doors.  Their confusion and fear were palpable entities during their downfall and subsequent transportation to Siberia.  You feel sympathy for a family which is, more often than not, shown to be completely detached from reality.  The details Anastasia is able to capture, her determination and will are astounding for someone so young and in such a dire situation.  It's all written beautifully and it really immerses you in this world of turmoil and upheaval experienced by Anastasia and her family.


I'm looking forward to seeing how all of this progresses.




***


I'm now 2/3 of the way through this book and the tension is definitely heating up.  The narrative style is so successful and captivating, with Anna and Anastasia's perspectives playing out with different narrators and their timelines creeping ever closer.  I find myself speeding through because I want to get to the point where their stories/timelines collide.  What will we discover?  What is the truth?  In a backwards fashion, we learn how Anna came to be in America, all of the times she'd been exploited or vilified, how she'd come to survive off of her infamy.  How the surviving Romanov family members had attempted to buy her off and why they did so.  With Anastasia, we witness the treatment of the imperial family under the revolutionaries and then the Bolsheviks.  We see how they were taken down more than a few notches (perhaps several hundred notches, to be honest) in an effort to rub their noses in reality.  The subtle ways in which they'd been sheltered, even in captivity.  There's even a little bit of sweet romance between some of the captors and captives.  Anastasia's first-person perspective portions remain my favorite parts of this book.  Her personality is spunky and her will to survive is admirable.  History tells us that the story does not end well for the Romanovs, but I'm still looking forward to seeing what the last part of the book has to offer, and I consider this a great feat of writing.


***


I finished this book a few days ago and I'm happy to finally get around to finish my review.  Completing a book in a matter of a few days is no great feat for me (in fact, this one actually took me a bit longer than normal because of my hectic schedule and trying to get back into the swing of things after vacation), but I do consider it notable when there are specific reasons that I simply cannot put a book down.  While the book, as a whole, is extremely interesting and captivating, the latter half is so brimming with suspense that you're practically salivating for more.  You HAVE to know if Anna is Anastasia.  So many times over I thought I'd had the plot figured out; I believed I'd discovered Lawhon's aim.  I was wrong so many times over.  The beauty of this style of writing (with two perspectives beginning decades apart and then creeping inexorably closer, gradually building the tension while it reveals tidbits of information and carefully omitting others) is that you know where the story ends up, you're just not sure how it got there.  And, in this particular story, that makes all the difference in the world.  This style is what makes this book unique and such a fascinating read.  It could have just been yet another historical fiction providing hope for those who believe that, surely, someone must have survived what history can only categorize as a massacre of the royal family.  The writing is so poignant and it resonated so deeply with me that I was completely absorbed in the story (woe to my husband who kept trying to interrupt the last few chapters despite the fact that I told him I just wanted to finish my book...).


Anastasia's portions of the story remained my favorite, though I do think that Anna's became even more interesting as the story progressed.  The impact of the surviving Romanov family members upon her life was of particular interest to me -- their desperation to quell Anna's claims and collect the Romanov inheritance.  I thought the way in which Lawhon managed to get the readers to sympathize with Anna while retaining the sense of mystery and uncertainty about her was artful.  There were a couple of Anna's portions which dragged on just a bit; however, having finished the book, I can say that pretty much every single detail was required to further the reader's belief/disbelief.  One must take this book as a whole rather than two separate stories which happen to be contained in the same book.  There are nuances and details woven with such care throughout, creating an epic interconnected story.


Anastasia's perspective was dramatic and vivid.  Having completed that aforementioned Russian history course, I'm familiar with the ways in which the Romanovs were treated after their fall from grace.  Yes, they were a royal family vastly out of touch with reality, but does any human being really deserve to be punished thusly?  Anastasia's companionship with Tomas provided much-needed tenderness in her dark, disparaging world and I found the details to be very sweet.  The book had the potential to become far too heavy without this.


Overall, this was a fascinating read with a unique structure to it, which, I felt, makes it so successful.  It definitely helps if you know and understand a little bit of Russian history to truly appreciate why the revolt took place, but it's not necessary to know everything since Lawhon does such a good job of explaining it as the story goes along.  I definitely recommend this to anyone who is a fan of historical fiction or is looking for a book with a different setup than your run-of-the-mill chronological timeframe.  As the information above indicates, this book really is a psychological journey.


***Side Note:  I discovered that Lawhon is another Nashville author -- another happy coincidence.  I ended up (unintentionally) taking books by two different Nashville authors on my trip to that city.

Princesses Behaving Badly: Real Stories from History -- Without the Fairy-Tale Endings: Linda Rodriguez McRobbie

"Once upon a time, there lived a beautiful princess who wasn't afraid to cheat, deceive, seduce, or murder anyone who got in her way...

"You think you know her story.

"You've read the Brothers Grimm, you've watched the Disney cartoons, and you cheered as these virtuous women lived happily ever after.  But real princesses didn't always get happy endings.  Sure, plenty were graceful and benevolent leaders, but just as many were ruthless in their quest for power--and all of them had skeletons rattling in their royal closets.  Princess Stephanie von Hohenlohe was a Nazi spy.  Empress Elisabeth of the Austro-Hungarian Empire slept wearing a mask of raw veal.  Princess Olga of Kiev slaughtered her way to sainthood while Princess Lakshmibai waged war on the battlefield, charging into combat with her toddler son strapped to her back.  Princesses Behaving Badly offers true tales of all these princesses and dozens more, in a fascinating read that's perfect for history buffs, feminists, and anyone seeking a different kind of bedtime story."

I came across this book while scrolling through Pinterest.  I've been pinning book ideas for awhile now and I love the recommendations that pop up -- they're usually really interesting things capable of dragging me out of my comfort zone.  This book did just that, but in a very fun, educational, and oft-entertaining way.  This is a work of non-fiction, but it reads so much like fiction that it's easy to forget that I had to dig out my dusty knowledge of the Dewey Decimal System to locate it on my local library's non-fiction shelves.  Rodriguez McRobbie's writing style is light and extremely readable.  This is excellent for anyone interested in weird (macabre, strange, wacky, eccentric, etc.) history, but is unsure about picking up just any non-fiction book.  There's a sense of humor woven throughout and I really enjoyed this; it didn't, however, diminish the message and I was impressed at how much information the author was able to cram into the little mini stories about each princess.  Overall, it felt very well-researched and extremely well-organized in such a way that kept making me want to read (and learn) more.  I'd encountered some of these princesses in my own studies, but this book really managed to bring them to life (a great feat considering each princess had about 2-4 rather small pages dedicated to her).  What stuck out to me the most was probably the fact that the author made sure to remind us to take some of the information with a grain of salt.  She'd clearly sifted through centuries of records and contemporary accounts to bring as much truth as possible (when it was possible), but she reminds her readers that women of the times in which many of these women lived were viewed very differently than any man would have been had he taken the same courses of action.  These women were labeled sluts, bitches, schemers, and witches when, quite possibly, they were none of these (and, if they were, it was very likely not to the degree that some of the sources claim).  I liked this about this book; I find merit in non-fiction works that remind their audience to not take every written word as gospel and to remember that these historical figures lived in very different times from our own.  Some of my favorite stories included the (crazy) princesses from England and Europe.  All those inbred genetics made for some real gems!

I absolutely recommend this book.  I flew through it!  I began reading it as a "break" from another book (which happens to also be out of my "comfort zone" and is taking me an extremely long time to conquer...), but I ended up really not wanting to put it down.  I thoroughly enjoyed the author's style and voice; the history was rich and exciting without feeling like a lecture.  This was a great non-fiction read and I am looking forward to seeing if the author has any other works out there.

Lady Almina and the Real Downton Abbey: Lady Fiona Carnarvon, The Countess of Carnarvon

"Lady Almina and the Real Downton Abbey tells the story behind Highclere Castle, the real-life inspiration and setting for Julian Fellowes's Emmy Award-winning PBS show, Downton Abbey, and the life of one of its most famous inhabitants, Lady Almina, the 5th Countess of Carnarvon.  Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war.

"Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home  Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.

"The rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle."

I originally picked up this book some time ago because it was on a list to read "if you enjoy Downton Abbey."  Unfortunately, I have yet to watch the show (I've been interested in it for a long time, but my schedule hasn't permitted it - I may definitely have to watch it now that I've read this book!), but I thought this non-fiction work might be an interesting read.  I was a touch skeptical because it was penned by the current Countess of Carnarvon, Lady Fiona Carnarvon.  Without sounding too harsh, I wasn't sure that this lady's aristocratic credentials necessarily meant she should be the one to write such a book - her status as a Countess doesn't make her an expert on the topic of her husband's ancestry, nor does it mean she can produce quality writing.  I will follow this up with a statement that I was impressed.  The writing was extremely well done and thoughtful.  The details were beautiful and there was a great deal of care and love put into it.  Any misgivings about the suitability of the current Countess of Carnarvon as an author have been laid to rest.  The history was rich and she really brought Lady Almina and her family to life.  I will say, however, that part of the reason this book took me so long to read was that the beginning dragged a little bit.  A great deal of time was spent on Almina's background (which, having finished the book, I can now see is integral), and this slowed the pace a bit.  It picked back up once Almina and her new husband -- the famous Earl of Carnarvon who, with Howard Carter, discovered the intact tomb of Tutankhamun in Egypt -- moved to Highclere after their wedding.  Lady Carnarvon truly makes the house come alive.  She clearly appreciates the beauty and history of the house.


***It took me so long to complete this review that I actually finished watching the entire Downton Abbey  series a couple of months ago!  I hope my reviewing gets back on track now that I'm finally done with grad school (yay!!!).  My biggest takeaway was how much more I feel I appreciated the television series after having read this account of Highclere.  The setting was spectacular and it felt so much more alive.  I have to believe the creators and writers of the series read the current Lady Carnarvon's accounts, worked very closely with her and her family, or did an astounding amount of research.  I saw threads of real people from Lady Carnarvon's book woven into the series and I found myself thrilled each time I caught a reference or tidbit.  I think it's an excellent idea to read this book and then watch the television series; it makes for a much richer experience.


Back to the book review:  Overall, I found the writing easy to read (even if the first few chapters slowed down a little bit - I do encourage you to persevere because it really is a very interesting nonfiction read) and the anecdotes were very interesting.  It breathed life into one of the most stunning houses England has to offer.  It made history come alive, which is one of my absolute favorite things about literature (it's the reason my undergraduate degrees are in English and history).  I highly recommend this book to anyone interested in England, history, WWI, British aristocracy, or the Downton Abbey television series.  I loved the photographs, the stories, and the enthralling history of this stunning house and its fascinating family.  This was a great non-fiction read and I recommend it to fans of history, England, wartime stories, and, of course, Downton Abbey.

The Queen's Fool (Tudor Court, Book Five): Philippa Gregory

“A stunning novel set in the Tudor court, as the rivalry between Queen Mary and her half-sister Elizabeth is played out against a background of betrayal, conflict and passion.  The savage rivalry of the daughters of Henry VIII, Mary Tudor and Elizabeth, mirrors that of their mothers, Katherine of Aragon and Anne Boleyn.  Each will fight by any available means for the crown and future of the kingdom.  Elizabeth’s bitter struggle to claim the throne she believes in hers by right, and the man she desires almost more than her crown, is watched by her ‘fool’:  a girl who has been forced to leave her homeland of Spain, as a Jew fleeing the Inquisition.  In a court where truth is wittily denied and lies are mere games, it is the fool who can speak plainly:  in these dangerous times, a woman must choose between ambition and love.  Elizabeth will not make the same mistakes as her mother.”

The teaser for this book does not really do it justice; it makes it seem as if the book is more about Elizabeth than anything else, but this is not true.  The book is told from the point of view of Hannah Verde (or, Hannah Green), daughter of a secretly Jewish printer and bookseller, after she is brought to the court of the young Edward IV only a short while before his premature death.  In a series built upon historical facts, Hannah represents a deviation from this technique.  She has a gift of “the sight” and, essentially, has premonitions and sees angels.  Following one of these visions, Hannah is brought by Robert Dudley to court as his little spy.  Without detailing the progress of the book in too much detail, Hannah’s loyalties are a very complex mixture of devotion, girlish love, admiration, and familial responsibility.  She “changes hands” several times throughout the book from Robert Dudley to Queen Mary, then to Elizabeth, and back and forth, back and forth.  It is a great device to capture important details from all sides without having to use an omniscient narrator.  The reader only knows as much as Hannah knows.

The parts of her story where she switched households between Mary and Elizabeth were interesting; I enjoyed the insights into their characters.  However, I think the most interesting were the bits where we saw Hannah’s betrothal to Daniel and everything that follows after it becomes too dangerous for her Jewish family to stay in England.  I believe Hannah is a supremely strong individual – I cannot imagine surviving what she does.

All of the plots, the scheming, the subversion that we know of the Tudor court from Gregory’s previous books remain in this one.  I think the structure of this book was a wise way for Gregory to incorporate the stories of these half-sisters instead of creating two separate books that would have had a great deal of overlap to the point of being detrimentally repetitious.  I particularly enjoyed the portrayals of Elizabeth and Mary from Hannah’s eyes.  I could absolutely see notes of Katherine of Aragon in Mary (especially the passion with which she loved her husband – for those of you who have read The Constant Princess, you know that Katherine calls the passion of the women in her family their curse) and both Henry and Anne in Elizabeth (in Elizabeth’s easy Tudor confidence and her ability to get what she wants from others).  I didn’t, however, see much of them as they were portrayed in The Taming of the Queen.  Perhaps because that one was told from the point of view of Kateryn, a woman who was determined to love the girls and their brother as if they were her own?

Overall, I very much enjoyed this book.  It was an easy, interesting read.  Hannah’s story was extremely interesting and it served to broaden the world far past the limitations of England’s shores.  Gregory did an excellent job on this book.  Though it strays from the format of her other books in the series, it is definitely worth the read.

The Taming of the Queen (Tudor Court, Book Four): Philippa Gregory

“Why would a woman marry a serial killer?

“Because she cannot refuse…

“Kateryn Parr, a 30-year-old widow in a secret affair with a new lover, has no choice when a man old enough to be her father, who has buried four wives – King Henry VIII – commands her to marry him.

“Kateryn has no doubt about the danger she faces:  the previous queen lasted 16 months, the one before barely half a year.  But Henry adores his new bride, and Kateryn’s trust in him grows as she unites the royal family, creates a radical study circle at the heart of the court, and rules the kingdom as regent.

“But is this enough to keep her safe?  A leader of religious reform and the first woman to publish in English, Kateryn stands out as an independent woman with a mind of her own.  But she cannot save the Protestants, under threat for their faith, and Henry’s dangerous gaze turns on her.  The traditional churchmen and rivals for power accuse her of heresy – the punishment is death by fire, and the king’s own name is on the warrant…

“From an author who has described all of Henry’s queens comes a deeply intimate portrayal of the last:  a woman who longed for passion, power, and education at the court of a medieval killer.”

I have obviously been on a bit of a Philippa Gregory kick, haven’t I?  I just love the Tudor era so much that it makes it easy for me to pick up yet another book set in this time period.  Gregory’s easy writing and captivating characters are, once again, at the heart of this book; however, I will say that I struggled with the amount of religion in this book.  I am so impressed that Kateryn was the first woman to publish in English (I believe it was a book of prayers or psalms, if memory serves me), but the sheer amount of theological discussion and preaching was, at times, enough to make my eyes glaze over.  Granted, this could just be because I, personally, can only deal with a certain amount of religion in a work of fiction before I can’t take it anymore.  This could be completely different for another reader with different interests.  I am fully aware that so much of Henry VIII’s reign revolved around religious doctrine, practices, laws, teachings, etc. (I’ve written papers on it and done my share of reading non-fiction materials on the subject), so I understand the importance of Gregory including this in the book, but it sometimes slowed down the story and the pacing.  While I thoroughly enjoyed Kateryn as a character and sympathized with her struggles and her lost love, this story was my second least-favorite in this series (one step above The Constant Princess).  The most memorable moment was the revelation of the official portrait used on the cover of the book.  I recall reading about the portrait somewhere, but I had long-since forgotten.  To have it revealed in the book was gut-wrenching and very interesting – I don’t want to give anything away!  I also loved how hard Kateryn worked to bring Henry’s children together.

Overall, I did like the book, but the weightiness of the religious aspect sometimes bogged down the story.  I understand what was trying to be accomplished, but it felt a bit religion-heavy for a historical fiction.  I think the point could have gotten across with a bit less of the details or sermons.  I will say that I did some research on Kateryn after finishing the book (she is probably the queen I knew the least about) and her story is very interesting, her life reached far past the date of her death, as did the consequences of her marriages (yes, that is plural – you’ll have to read for yourself to find out!).  She was an admirably strong, determined woman.  I hope I don’t give too much away when I say that I’m sorry her “happy ending” was not all that she hoped it would be.  I recommend this book as a necessary installation in this series, but – like I said – it was not my favorite.  It was probably the most suspenseful in the series, which is something to be said.

The Boleyn Inheritance (Tudor Court, Book Three): Philippa Gregory

“From the bestselling author of "The Other Boleyn Girl" comes a wonderfully atmospheric evocation of the court of Henry VIII, and the one woman who destroyed two of his queens. The year is 1539 and the court of Henry VIII is increasingly fearful at the moods of the ageing sick king. With only a baby in the cradle for an heir, Henry has to take another wife and the dangerous prize of the crown of England is won by Anne of Cleves. She has her own good reasons for agreeing to marry a man old enough to be her father, in a country where to her both language and habits are foreign. Although fascinated by the glamour of her new surroundings, she senses a trap closing around her. Catherine is confident that she can follow in the steps of her cousin Anne Boleyn to dazzle her way to the throne but her kinswoman Jane Boleyn, haunted by the past, knows that Anne's path led to Tower Green and to an adulterer's death. The story of these three young women, trying to make their own way through the most volatile court in Europe at a time of religious upheaval and political uncertainty is Philippa Gregory's most intense novel yet.”

This book was written in a style much closer to what I remember The Other Boleyn Girl to be than The Constant Princess.  The writing was captivating, lively, and easy to follow.  Her characters were interesting and the story was well-paced.  Again, I was reading these a bit out of order, but it did not matter all that much since I am already rather familiar with this period in British history.  This book takes place after the conclusion of The Other Boleyn Girl.  It was interesting to see what happens in the aftermath of Anne Boleyn’s beheading; even more so to see things from the perspective of another character who had been in the background of The Other Boleyn Girl, Jane Boleyn - as well as the mentioning of names we recognize from The Constant Princess.  The Boleyn Inheritance was told from three different perspectives:  Jane Boleyn (widow of Anne Boleyn’s brother, George), Anne of Cleves (one of Henry VIII’s “lucky” wives, and Katherine Howard (a cousin of Anne Boleyn and another wife of Henry VIII).  Of the three, I think Anne of Cleves’ perspective was the most interesting.  I enjoyed learning more about her background and seeing her as something other than the what I had previously learned in history courses; that she was a woman so ugly and with such poor hygiene that Henry VIII could not bear to be married to her – though more historians are now in agreement that this was probably not the case.  I couldn’t help but feel sympathy for her after seeing from where she had come and what she had to endure – of course, this is a work of fiction, but Gregory’s writing was so realistic and enthralling.  Jane Boleyn was interesting, too.  We learned very little about her in The Other Boleyn Girl other than the facts that she was married to George, Anne and Mary’s older brother (who was also executed), and she and the Boleyns did not care for one another – she was jealous of the Boleyn sisters’ close relationship with her husband and it is hinted that this led her to testify against them.  She was also portrayed as a bit of a sexual deviant (I am unsure how else to describe her creepy interest in the sex lives of others and her oft-described sexual appetite for her poor husband).  Her cold, calculating demeanor became unnerving in this book – something of which we caught glimpses in the second book in the series.  This really helped to bring the story to life and showed the ways in which women were expected to manipulate others and events in order to further their respective family’s aims.  This echoes The Other Boleyn Girl a bit in this fashion.  Katherine (Kitty) Howard’s perspective was interesting because I think Gregory did an excellent job of tapping into the mind of a teenage girl.  She’s very self-absorbed and believes herself invincible.  She sees only pretty things and lives in a materialistic world.  Surely nothing bad can happen to a pretty girl such as herself?  Her naiveté was well-written and believable.

Overall, the story was captivating, well-written, and very interesting.  I thought it was an appropriate follow-up to The Other Boleyn Girl and I enjoyed it a great deal.  At first, I thought the book was going to feel (forgive my language) half-assed because Gregory “couldn’t come up with enough material to devote a full book to each of these characters,” but this was far from what I experienced.  The pacing was good, the characters were interesting, and I would recommend this as a great installment in the Tudor Court series.