Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Friday, June 7, 2019

Why Mermaids Sing (Sebastian St. Cyr Mystery, Book Three): C. S. Harris


“It’s September 1811, and someone is slaying the wealthy young sons of some of London’s most prominent families.  Partially butchered, with strange objects stuffed in their mouths, the bodies are found dumped in public places at dawn.  When the grisly remains of the eldest son of Alfred, Lord Stanton, are discovered in the Old Palace Yard beside the House of Lords, local magistrate Sir Henry Lovejoy turns to Sebastian St. Cyr, Viscount Devlin, for help.

“Ranging from the gritty world of London’s docks to the luxurious drawing rooms of Mayfair, Sebastian confronts his most puzzling—and disturbing—case yet.  With the help of his trusted allies—his young servant Tom, the Irish doctor Paul Gibson, and his lover, Kat Boleyn—Sebastian struggles to decipher a cryptic set of clues that links the scion of a banking family and a lord’s heir to the son of a humble Kentish vicar.  For as one death follows another, Sebastian starts to believe that the murderer has both a method and a purpose to his ritualized killings, and that the key to it all may lie in the enigmatic stanzas of a haunting poem…and in a secret so dangerous that men are willing to sacrifice their own children to keep the truth from becoming known.

“As she did in What Angels Fear and When Gods Die, C.S. Harris once again employs her dazzling command of history and her rich storytelling to draw us into a dark and glittering world.”

This was a May read that took a long time to finally review and post.  Sorry for the delay!

The twists and turns in Harris’s well-crafted world of Sebastian St. Cyr, Viscount Devlin, keep on coming in this fast-paced, tension-filled installment.  She has a knack for creating an undercurrent of suspense that makes you loathe putting down the book.

Picking up shortly after the prior book finishes, Devlin is sucked into yet another mysterious slew of murders – this time, of sons from very prominent families, their bodies left mangled in gruesome public displays.  Someone has a tremendous amount of hate for these young men – or, perhaps, their families, as Devlin suspects – but why?  What could make someone commit such horrific and, seemingly unprovoked, atrocities?  What could their message possibly be?  As he performs his inquiries, Devlin finds himself once more entangled in the life and past of the powerful Lord Jarvis, which seriously deepens the danger.  What could these murders have in common?  More importantly, Devlin knows there will be more…but who and when?

I was particularly pleased with this story’s ability to keep me guessing.  I truly didn’t know who was at the heart of the mystery until Devlin revealed it at the very end.  This is one of the highest compliments I can give a writer, because I pride myself on not being particularly easy to fool.  I enjoyed the twists and turns along with the vibrant characters Devlin encounters as he attempts to follow the murder’s twisted path.  The truth he discovers is far more sinister than he ever could have imagined, and it’s a secret over which more than one man is willing to kill over.  Not only is Devlin’s own life at stake, but that of his lover, Kat Boleyn.  As usual, the undertone of his romance with Kat provides a logical sounding board for his inquiry, as well as a pleasant reprieve from what might otherwise become far too dark a book.  I’ve always been a fan of Harris’s ability to interweave gruesome mystery with the romance between Kat and Devlin – it works surprisingly well.  However, a secret revealed at the end of this book could ruin that forever!

The settings were, as usual, highly descriptive and captivating.  I thoroughly enjoy the seedy, grimy underbelly of London Harris portrays – so different from what I am used to reading.  It suits her stories and her characters perfectly.  She has a way with crafting these vivid settings which aid in creating a complimentary tone for the story to go along with the plot.

This installment fit in perfectly well with the rest of the series thus far.  It has set up the potential for a volatile continuation with the surprise ending and I look forward to seeing what lies in store for Devlin – especially as it concerns his future with Kat.

Friday, April 5, 2019

The Couple Next Door: Shari Lapena


“HOW WELL DO YOU KNOW THE COUPLE NEXT DOOR?  OR YOUR HUSBAND?  OR EVEN—YOURSELF?  PEOPLE ARE CAPABLE OF ALMOST ANYTHING…

A twisty roller-coaster ride of lies, betrayal, and the secrets between husbands and wives…  How far would you go—if pushed to your limit?

“Anne and Marco Conti seem to have it all—a loving relationship, a wonderful home, and their beautiful baby, Cora.  But one hot summer night they were invited to a dinner party next door, and a terrible crime is committed.  Suspicion immediately focuses on the parents.  But the truth is a much more complicated story.

“Inside the Contis’ curtained house, an unsettling account of what actually happened unfolds.  Detective Rasbach knows that the panicked couple is hiding something.  Both Anne and Marco soon discover that the other is keeping secrets, secrets they’ve kept for years.

“What follows is the never-racking unraveling of a family—a chilling tale of deceptions, duplicity, and unfaithfulness that will keep you breathless until the final shocking twist.”

Here’s the last of my delayed reviews!  Hopefully I do a little bit better the rest of the year.  This one comes courtesy of a recommendation from a friend of mine.  She told me she had a hard time putting this book down so, naturally, that piqued my interest.  It took me a while to finally get my hands on it and I’m pretty happy that I did.

What starts out as a seemingly insignificant night out turns into a family’s worst nightmare.  Anne and Marco Conti live in a beautiful townhouse and seem to have everything they could hope for.  Anne comes from a great deal of money.  She left her job in an art gallery to be a stay-at-home mom to her beautiful new daughter, Cora.  Her husband, Marco, runs his own business.  One evening, they’re invited to a dinner party by their immediate next door neighbors.  They contemplate canceling when their babysitter backs out, but Marco convinces Anne that they’ll only be next door – in reality, just on the other side of the wall from Cora.  They take the baby monitor and check on Cora every half hour.  When they finally return home in the wee hours of the morning, something doesn’t seem right.  The unthinkable has happened:  Anne discovers Cora is missing from her crib.

From the start, the Contis are a source of great suspicion.  The lead detective has seen his share of missing children and strongly believes the Contis are involved in some way.  Clues like a loosened lightbulb in a backyard motion-detecting spotlight, a silent car seen driving down the alley at the perfect time, and Anne’s diagnosis of postpartum depression all serve to cast doubt upon Marco, Anne, and their story.  The media vilifies them as horrible parents who left their infant unattended – that they got what was coming to them – while their marriage falls on rocky ground as Anne wonders what really happened to her missing daughter.  Could someone they know be involved?  What could their motivation be?  If it’s money, they’re willing to offer up any amount to have their daughter back.  However, when the ransom is paid and Cora still isn’t returned, they realize something much darker and more complex is taking place.

What ensues is a story filled with all the great twists and turns of a successful tale of lies, suspense, and hidden motives.  This book will make you question your own morals and ask yourself just how far you would be willing to go to save your family.  This story really does beg the question of how well you really know your neighbors, the people you consider friends, and even the members of your own family.

A captivating read, this book was very difficult for me to put down.  I found the pacing quite well done and the story, exciting.  I definitely recommend this book to lovers of mystery and suspense.  It has a twisted, complicated plot that will keep you guessing and fascinated right up until the very end.

Happy reading!

The Girl on the Train: Paula Hawkins


“THERE SHE SITS, THE GIRL ON THE TRAIN.  WHAT SHE SEES, GAZING OUT THE WINDOW, WILL CHANGE EVERYTHING.

“EVERY DAY THE SAME

“Rachel takes the same commuter train every morning and night.  Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck.  She looks forward to it.  She’s even started to feel like she knows them.  Jess and Jason, she calls them.  Their life – as she sees it—is perfect.  Not unlike the life she recently lost.

“UNTIL TODAY

“And then she sees something shocking.  It’s only a minute until the train moves on, but it’s enough.  Now everything’s changed.  Unable to keep it to herself, Rachel goes to the police.  But is she really as unreliable as they say?  Soon she is deeply entangled not only in the investigation but in the lives of everyone involved.  Has she done more harm than good?

“Compulsively readable, The Girl on the Train is an emotionally immersive, Hitchcockian thriller and an electrifying debut.”

Here’s another delayed review (sorry!).  I’d been meaning to read this book for a while now, especially after I’d been told by people who weren’t avid readers that this was worth the read.  I still have not seen the film adaptation, but I’m now definitely looking forward to watching it.

I think what really makes this book the Rachel’s unreliability as a narrator.  A majority of the book is told from her perspective with interjections from other characters – most of which take place prior to Rachel’s experiences.  At first, Rachel seems stable, employed, and – though she’s upset about her divorce – she seems to have tried her best to move on.  As the story progresses, however, we learn the depth of Rachel’s inability to cope, the lengths to which she goes to hide her life from her flat-mate, and how she simply cannot let go of her ex-husband and former life.  She paints a relatively rosy picture of her former married life; one with a loving husband, a home she adored, and the possibility of a future.  As she opens up more to the readers, we learn how much her own dysfunctionality played a part in the downfall of her marriage and her husband’s affair and subsequent marriage to his mistress.  I was torn between feeling sorry for Rachel and getting the sense that she was more than a little to blame for all of it.  Her drinking began during her marriage and only intensified afterwards.  We learn that she cannot wait for her drinks on the train ride home – that she practically lives for them.  Her other obsession is watching a beautiful couple with their (she believes) idyllic life on her train ride into the city.

Each morning, Rachel spies the couple breakfasting in the sunshine.  She imagines lives and hobbies and romance for them.  She pictures the perfection of their life in their trackside home and feels as if she truly knows them.  Surely they must be the epitome of happiness?

Rachel lives for the little ray of sunshine spying on them brings to her miserable existence.  It isn’t until she sees something very unexpected in their back garden that the story seems to spiral out of control.  What shows up on the news shortly thereafter convinces Rachel of the importance of what she witnessed…

Who do we believe?  Rachel, the woman who drinks and cannot recall what happens during her all-too-common blackouts?  The snippets of information we are given from the points of view of the other characters in the months leading up to the incident?  When she cannot take it anymore, Rachel goes to the police with her suspicions and her information.  They largely appear to dismiss her – especially when they learn of her volatile history and habits of contacting and harassing her ex-husband and his new family where they live several doors down from her idyllic fantasy couple.  Could Rachel have had something to do with what happened?  How can anyone trust her – how can she trust herself – when her memory is filled with a large black void during with absolutely anything could have happened?  Frustrated, Rachel takes some drastic measures and entangles herself in a web of lies as she tries to do what she believes is right.  As the story unfolds, however, she wonders if she’s done the right thing – and whether or not she’d just jumped head-first into dangerous waters.

The dark twists and turns of this intense story will keep you on the edge of your seat.  The unreliable narrator makes you second guess your own opinions and assumptions.  The surprise ending will leave you breathless.

I definitely recommend this book for any fan of suspenseful fiction.  The characters are raw and real; that reality is very slowly unveiled, making you question what you thought you knew about them.  Hawkins is a talented author with a knack for keeping her readers in the dark until just the right time (even though I did end up guessing the surprise ending, I still give her props for disguising it so well).

Thursday, February 7, 2019

All the Ever Afters: The Untold Story of Cinderella's Stepmother: Danielle Teller

"A LUMINOUS REIMAGINING OF THE CLASSIC FAIRY TALE CINDERELLA, TOLD FROM THE PERSPECTIVE OF AGNES, THE BEAUTIFUL GIRL'S 'EVIL' STEPMOTHER

"Compelling fiction often obscures the humble truth...

"We all know the story of Cinderella.  Or do we?

"As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, a woman who knows all too well about hardship, privately records the true story.  But what unfolds is not the princess's history.  The tale Agnes recounts is her own.

"A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress's apprentice at Aviceford Manor when she is just ten years old.  Alone, friendless, and burdened with a grueling workload, Agnes carves a place for herself in this cold place that is home to Sir Emont Vis-de-Loup, a melancholic and capricious drunkard.

"Using her wits and ingenuity, Agnes eventually escapes and makes her way toward a more hopeful future, serving as a housemaid for the powerful Abbess Elfilda.  But life once again hold unexpected, sometimes heartbreaking twists that lead Agnes back to Aviceford Manor, where she becomes nursemaid to Ella, Emont's sensitive, otherworldly daughter.  Though she cares for Ella, Agnes struggles to love this child, who in time becomes her stepdaughter and, ultimately, the celebrated princess who embodies all out unattainable fantasies.

"Familiar yet fresh, tender as well as bittersweet, the story of Agnes and Ella's relationship reveals that beauty is not always desirable, that love may take on many guises, and that freedom is not always something we can choose.

"Danielle Teller's All the Ever Afters challenges our assumptions and forces us to reevaluate what we think we know.  Exploring the hidden complexities that lie beneath classic tales of good and evil, this lyrically told, emotionally evocative, and brilliantly perceptive novel shows us that how we confront adversity reveals a more profound--and ultimately more precious--truth about our lives than the ideal of 'happily ever after.'"

I picked this book off of the "new releases" shelf at my local library on a whim, though the back of my memory insists that I saw it somewhere in my Pinterest searches and it piqued my interest.  I am a fan of interesting retellings of classic tales, so this one seemed like a good choice.  I love inventive takes and unique perspectives.  However, it is very easy for a book like this to go awry.  We can run into a main character--a villain--who does nothing but justify all of his or her evil actions (which is boring), or there is little-to-no imaginative take on the traditional fairy tale.  This was not the case with Teller's story and I must admit I was impressed.

Readers are immediately thrust into an extremely realistic world of an England ruled by king and, perhaps even more so, church; most people have nothing and live out their short and often tragic lives in serfdom.  They toil as servants or tenants on manors and owe their labors and products to their lord and masters who, in turn, owes his loyalty to the Abbess Elfilda.  Agnes happens to be one of the unfortunates born to a family that cannot support her.  At only ten years of age, she's forced to leave her family's hovel and trek to the manor house in search of a job so she will no longer be the burden or responsibility of her family.  She's given a position beneath the head laundress.  What initially seems like good fortune -- with the promise of food and shelter -- quickly becomes a nightmare as she learns to work and live beneath the cruel thumb of the nasty, gluttonous, slothful laundress.  Agnes quickly learns the politics of the manor house, though she remains somewhat of an outsider.  She works her hands to the bone and survives by the strength of her back and power of her wit.  While employed there for several years, she encounters the lord of the manor, Emont.  His penchant for drinking and disinterest in running the manor earn the derision of other servants.  Agnes, however, feels some form of pity for him.  When he is ill, it is she who is brought in to care for him.  It is clear that Emont trusts her and this affords her some moments where she has a small measure of peace.

This, however, does not stop Agnes from leaping at an opportunity to leave the manor for the Abbey to work for Abbess Elfilda's aging mother.  Through clever machinations, Agnes is allowed to leave and take up the temporary position.  Though it isn't quite what she imagined, she quickly finds her place and discovers that life at the Abbey suits her greatly.  Her joy is short-lived and her decisions land her in a great deal of trouble with the Abbess.  Agnes is forced to leave and, once again, she must find a way to support herself.  Though ingenuity, intelligence, and sheer determination of will, she manages to carve out a new place for herself and attain a measure of comfort.  Happiness, however, is impermanent.  Tragedy strikes yet again; Agnes's life seems to come full circle when circumstances land her once more at Aviceford Manor.  This time, however, she is nursemaid to Emont's infant daughter, Elfilda -- named after her godmother and aunt, the Abbess.  Ella is an odd girl, finicky and withdrawn, unlike any other child Agnes had ever met.  Agnes takes her duties seriously, making sure the child is educated and knows her parents, despite Ella's mother's disturbing habits, hallucinations, and tendency toward manic-depression.  We witness Ella's upbringing at Agnes' hands and it is there that the truth of the "abuses" Ella suffered comes to light.  This book is the epitome of perspective.  To a dramatic, stubborn, spoiled, possibly-disturbed child, any enforcement of rules or authority is perceived as an attack.  Even a small slight quickly becomes enormous in Ella's mind.  These instances build upon one another to create the villain we were taught to believe Agnes was.

The interesting set up of past and present mingling to create a whole story kept the plot interesting.  We learned about Agnes's past and Teller intertwined it with the present in such a beautiful way that witnessing the nuances and correlations kept everything captivating.  Ella's new life at court changes everyone's lot, including that of her stepmother and stepsisters.  Unfortunately, their hardships are not over.  The rumors of Ella's suffering begin as whispers and grow in voracity and ferocity until Agnes and her daughters become pariahs and targets of not only gossip, but threats.  Agnes fears that she will lose everything once more for doing nothing more than trying to be a source of constancy in Ella's otherwise mercurial life.  How are she and her daughters to survive the vipers of court as the looming threat becomes ever greater?  What will they do if Ella -- naturally oblivious to many social nuances -- is not present to protect or defend them?

Agnes uses her history as a form of catharsis during this time.  She doesn't justify all of her actions, but rather uses them as a lens through which we can perceive and understand her more completely.  She admits that she was not always the most loving or affectionate of stepmothers, but I genuinely believe that she tried and did the best with what she could manage.  Her life was one of tragedy and hardships -- something none of her peers at court could possibly comprehend.  In her descriptions of Ella and her daughters, she challenges the traditional conventions and notions of beauty; she demonstrates an appreciation of hard work and having a backup plan.  We realize that there is no such thing as a true villain in any fairy tale.  Something motivated their actions.  Additionally, the hero's perspective isn't necessarily unbiased...

I loved the realism of this story.  If you want Disney's talking animals and glittering magic, then this story is not what you're looking for.  If you want Cinderella set in a realistic time period with believable plot, setting, characters, and (realistic) tragic circumstances, then this book is perfect.  There were more than enough clues and hints at the traditional fairy tale for me to make the necessary connections between the fairy tale and this retelling, but it wasn't overly fanciful.  I actually found it much more insightful than I anticipated.  It was an examination of how we perceive people and their stories, why we believe one person over another (sometimes based solely on appearance and social standing), and how we can really only know someone when we understand their past.  The world is not plainly black and white, so why should fairy tales be so?

I found Agnes to be an excellent narrator.  I loved watching her grow and evolve over the years.  I was struck by her intelligence and perseverance, and I appreciated her ingenuity.  Teller has crafted a unique retelling and one I took great pleasure in reading.

Monday, December 31, 2018

A Grave Matter (Lady Darby Mystery: Book Three): Anna Lee Huber

"Scotland, 1830.  Following the death of her dear friend, Lady Kiera Darby is in need of a safe haven.  Returning to her childhood home, Kiera hopes her beloved brother, Trevor, and the merriment of the Hogmanay Ball will distract her.  But when a caretaker is murdered and a grave is disturbed at nearby Dryburgh Abbey Kiera is once more thrust into the cold grasp of death.

"While Kiera knows that aiding in another inquiry will only further tarnish her reputation, her knowledge of anatomy could make the difference in solving the case.  But agreeing to investigate means Kiera must deal with the complicated emotions aroused in her by inquiry agent Sebastian Gage.

"When Gage arrives, he reveals that the incident at the Abbey was not the first--some fiend is digging up old bones and holding them for ransom.  Now Kiera and Gage must catch the grave robber and put the case to rest...before another victim winds up six feet under."

I was thrilled to get back into the "Lady Darby Mystery" series.  It's no secret that I very much enjoyed the mystery and thrilling adventure (as well as the subtle, steamy romantic tension between Kiera and Gage) in the first two books of this series.  I had to wait a bit for this book to come in as a loan from another library, but boy did I ever devour it once I finally got my hands on it!  A little over two days later and I'm already writing my review!

We encounter a grieving Kiera a couple of months after Will's death at the close of book two.  She is depressed and seems to have lost a good part of herself in the fog of melancholy -- so much so that she cannot even bring herself to paint.  Though she makes efforts to heal and participate in life, she struggles to come to terms with the permanent and very tragic loss of her friend and mentor.  Her brother, Trevor, does his best to allow her space, but it's clear that he's worried about her grief.  I found him to be a well-rounded secondary character and a nice counterpart to Kiera's often-brooding nature in this book.  He's a good mixture of humor and seriousness.  Having him fall one way or the other would have felt either forced or overwhelming in the unrelenting seriousness.  It was nice to see another of Kiera's siblings since we've already spent a great deal of time witnessing her interactions with her elder sister, Alana, and her husband.  While I adore the relationship that's been cultivated between Alana and her husband, it's refreshing to have a new setting and prominent new secondary character -- it keeps things interesting!

When an unfortunate omen immediately precedes a horrible murder the night of the Hogmanay Ball, Kiera knows what she must do:  she's obligated to put her investigative skills and medical knowledge to good use -- especially in the absence of anyone else suitable.  She's surprised to realize just how willing she is to do such a thing.  Perhaps this is her way of throwing herself into work that would consume and distract her from the reality of Will's death?  Perhaps she's found another calling?  Or maybe the investigation is a way to once more make her feel close to Gage?  Either way, she jumps right into the investigation and, shortly thereafter, it's requested that she call Gage in to assist (because now everyone knows they've worked together before on two (successful) occasions).  She's unsure how she feels about inviting the handsome, charming, intelligent, confusing, frustrating man back into her life, but she really has no choice.  He's been specifically requested and Kiera knows there's no better man for the job.  Gage's arrival unleashes a myriad of confusing emotions within her, but -- as he slowly opens himself up to Kiera and reveals his true intentions -- she begins to realize just how much he's come to mean to her and the real danger he might pose to her future.

The romance is a wonderful undertone to the story, though it does take a more prominent role in this book than the previous two.  This is, of course, not to say that the series has become a "romance series" -- at least not yet.  The captivating mystery and intrigue still remain strongly at the forefront.  The twists and turns of the story and investigation kept me guessing.  I wasn't sure I knew who was at the heart of the crimes almost until Gage and Kiera did.  This is no small feat.  Huber artfully omits just enough information or has her characters skim over important bits in such a way that the readers are kept guessing throughout.  I like to believe that I'm not an easy reader to fool, but Huber manages to do this time and time again.  There's real talent in this writing and mastery to the storytelling.  I find myself pulled deeper and deeper into Lady Darby's world each time I pick up another book in this series.  The enthralling mystery, spectacular characters, artful blend of fiction and historical fact, all set against the stunning backdrop of England and (mainly) Scotland serve to create a fascinating world perfect for a reader's escape.

There were a few grammatical errors (I think they were just missed in the editing process), but they tripped me up where I had to make sure it was a typo and not just a turn of phrase I didn't comprehend the first time around.  I don't blame this on Huber, but the editing process.  These were tiny word errors rather than plot holes or mistakes, so I won't judge them too harshly.

As always, I highly recommend Huber's writing.  She has a knack for writing thrilling stories and amazing characters -- all while managing to stay true to their very strong, individual personalities throughout the series (at least thus far).  I'm definitely looking forward to seeing what the future holds for Kiera and Gage.

Friday, November 30, 2018

The Queen of Hearts: Kimmery Martin

"A debut novel set against a background of hospital rounds and life-or-death decisions that pulses with humor and empathy as it explores THE HEART'S CAPACITY FOR FORGIVENESS...


"Zadie Anson and Emma Colley have been best friends since their early twenties, when they first began navigating serious romantic relationships amid the intensity of medical school.  Now they're happily married wives and mothers with successful careers -- Zadie as a pediatric cardiologist and Emma as a trauma surgeon.  Their lives in Charlotte, North Carolina, are chaotic but fulfilling, until the return of a former colleague unearths a secret one of them has been harboring for years.


"As chief resident, Nick Xenokostas was the center of Zadie's life -- both professionally and personally -- throughout the tragic chain of events during her third year of medical school that she has long since put behind her.  Nick's unexpected reappearance at a time of new professional crisis shocks both women into a deeper look at the difficult choices they made at the beginning of their careers.  As it becomes evident that Emma must have known more than she revealed about the circumstances that nearly derailed both their lives, Zadie starts to question everything she thought she knew about her closest friend."


This book took me nearly a month to finish (as evidenced by my relatively long hiatus posting reviews on here), and this does not really bode well for a stellar review.  I will cushion this statement with the truth that I’ve been dealing with health issues and some personal/familial tragedy, so I’ve simply been unable to force myself to read all that much.  Granted, a brilliant book can be an escape from the rigors and draining nature of the real world, but the medical nature of this sotry had some rather poor timing in my personal life – this is, of course, not really the book’s fault.  I was initially drawn to it via yet another Pinterest search.  This was also a new release at my local library and all the pieces just seemed to fall into place.

I began reading The Queen of Hearts very shortly after I finished the book I reviewed just prior to this one.  I was immediately sucked into the fast-paced worlds of Zadie and Emma.  One of the biggest draws for me was the happy realization that it was set in Charlotte, North Carolina – where I happened to live for a year while attending college.  It’s always very entertaining to run across places with which you’re familiar; it breathes a special kind of life into a book.  An added bonus is that my uncle was a doctor in Charlotte as well, so I was familiar with the hospital and lives of these surgeons (I’ve yet to ask him if he’d ever worked with Dr. Kimmery Martin, the author).

The first part of the book had excellent pacing.  I was introduced to Zadie and Emma, the interesting nature of their friendship, and the very different lives they lead.  The pacing does change and I think that was part of my problem.  It began to feel a bit choppy.  Eventually, the story bounces back and forth from intense present events to the pivotal time in 1999 when Zadie and Emma were still medical students and tragedy struck.  They learned what it is like to be a doctor, and they also learned how to cope with their own mistakes and suffer through unexpected loss.  This use of perspective  – bouncing not only in time and space, but also between Zadie and Emma – sometimes got a bit more confusing than was pleasant.  There was a concerted effort to create a stark differentiation between the bubbly, scattered Zadie and ice queen Emma, but it fell short.  I lost their unique voices a few times in their different sections and had to go back to remind myself whose perspective I was reading.

The dark secret was, I thought, handled fairly  well.  Snippet after snippet was revealed, making me think, “There it is…  No, this has to be it!” several times.  When the real secret does finally come to light (in its entirety), it truly was deep and dark…and I can understand why she (I won’t tell you which “she”) did her best to cover it up all this time.  I must also admit that everything following the admission of the complete truth felt a bit rushed – literally the entire book led up to this moment and it wound up finishing before I got any real satisfaction from experiencing the aftermath.  The friendship between Zadie and Emma was so time-tested and the secret so powerful that I was left feeling a bit hollow at the end – the “resolution” felt a bit unrealistic to me.  This might come off as not making much sense, but I cannot give too much away without revealing huge plot twists (and I certainly don’t want to ruin those for you).  All said, I think I would have liked the “big reveal” to happen sooner, or to have more time to watch the characters absorb the truth.  The ending was tied up a little too quickly and neatly for my personal taste.

The medical aspects of this book – their lives as medical students and careers following some twenty years later – read a lot like “Grey’s Anatomy”.  If you’re a fan of medical dramas (complete will on-call room booty-calls), then you’ll enjoy this book.  I am a fan of “Grey’s” (especially the older seasons), so this was no trial for me.  In fact, it was part of the draw of this book.  So many people not directly in the medical field don’t realize what doctors – especially surgeons – go through on their path to their ultimate career.  It’s a life filled with exhaustion, stress, loss, triumphs, pain, and mental strain.  Reading about this from an author who is also a doctor was refreshing and very realistic.  I would be very interested to know just how many of the patients Zadie and Emma encounter in this book were borrowed from real-life experiences of Dr. Martin and her colleagues.

While I liked parts of this book, the rapid shifts in time and perspective sometimes left me a little bit lost.  Even with the impending revelation of the deep, dark secret, the latter half of the book dragged much more than the beginning did.  As I mentioned before, this was partly due to my own inability to focus, but I won’t take all of the blame here.  I think part of it was the writing style and then some of it was the addition of unnecessary details – especially in some of Zadie’s medical school flashbacks as they pertained to her group of friends.  I can see what Martin was attempting to achieve (again, sort of like the close-knit misfit group in “Grey’s Anatomy”), but I didn’t feel that it always necessarily added something.  Some passages could have been used for an entirely different book.  The ending of the story wasn’t as satisfying as I was hoping.  I liked the characters’ personalities and some of my favorite scenes were those between Zadie and Emma with their respective husbands; however, the voices sometimes blended together with all of the bouncing around.  Is this book worth trying out?  I would say so.  Do I give it a glowing recommendation?  Not necessarily.  There’s nothing terribly wrong with it, I just wasn’t as sucked in as I would have liked to have been.  I'm not totally sold by the forgiveness at the story's conclusion, but perhaps there's something to be said for the power of Zadie and Emma's relationship.


Happy reading!

Monday, November 5, 2018

The Vatican Princess: A Novel of Lucrezia Borgia: C. W. Gortner

"INFAMY IS NO ACCIDENT.  IT IS A POISON IN OUR BLOOD.  IT IS THE PRICE OF BEING A BORGIA.

"Bestselling author C. W. Gortner effortlessly weaves history and drama in this captivating novel about one of the world's most notorious families.  Glamorous and predatory, the Borgia fascinated and terrorized fifteenth-century Renaissance Italy, and Lucrezia Borgia, beloved daughter of the pope, was at the center of the dynasty's ambitions.  Slandered as a heartless seductress who lured men to their doom, was she in fact the villainess of legend, or was she trapped in a familial web, forced to choose between loyalty and survival?


"With the ascension of the Spaniard Rodrigo Borgia as Pope Alexander VI, a new era has dawned in Rome.  Benefitting from their father's elevation are the new pope's illegitimate children--his rival sons, Cesare and Juan, and beautiful young daughter Lucrezia--each of whom assumes an exalted position in the papal court.  Privileged and adored, Lucrezia yearns to escape her childhood and play a part in her family's fortunes.  But Rome is seductive and dangerous:  Alliances shift at a moment's notice as Italy's ruling dynasties strive to keep rivals at bay.  As Lucrezia's father faces challenges from all sides, the threat of a French invasion forces him to marry her off to a powerful adversary.  But when she discovers the brutal truth behind her alliance, Lucrezia is plunged into a perilous gambit that will require all her wits, cunning, and guile.  Escaping her marriage offers the chance of happiness with a passionate prince of Naples, yet as scandalous accusations of murder and incest build against her, menacing those she loves, Lucrezia must risk everything to overcome the lethal fate imposed upon her by her Borgia blood.


"Beautifully wrought, rich with fascinating historical detail, The Vatican Princess is the first novel to describe Lucrezia's coming-of-age in her own voice.  What results is a dramatic, vivid tale set in an era of savagery and unparalleled splendor, where enemies and allies can be one and the same, and where loyalty to family can ultimately be a curse."


At the risk of stating the obvious, it took me a very long time to read this book (as evidenced by the gap in dates between my last review and this one).  I flew through the latter half of it, so I'd have to say the cause of this delay was the fact that the beginning -- the part leading up to Lucrezia's marriage to Giovanni -- dragged on a bit.  It was interesting and filled with rich details; I can see parts were integral to setting up the characters and backstory, but I just wanted the book to get going.  There was nothing "wrong" with the first part of this book, per se, but I guess I just expected a book on the Borgias to be filled with subterfuge and intrigue right off the bat.  It took a bit to get going, but I will say that there was more than enough of this to keep me satisfied as the story progressed.


I enjoy European history, but I must admit that I knew surprisingly little about the Borgias before I picked up this book:  1) They were scandalous, murderous, cunning, ruthless, and powerful.  2) They resided in Italy.  3) They would stop at nothing to see their family succeed.  See?  That doesn't amount to much when you do even a little bit of digging and find out the rumored and true depths the Borgias went to in order to help see their family into the heights of power.  I knew even less about Lucrezia Borgia as an individual.  I recall reading some rumors about incest and murder, but this book's aim appears to have been to dispel some of these stories.


Written from the first-person perspective, I found the voice in this book to be interesting.  It covers Lucrezia's life across approximately a decade, seeing her from a naïve girl -- the apple of her powerful Papa's eye -- to a woman no longer disillusioned that her family will protect her if it goes against their own interests even in the slightest.  Shortly after her father ascends (bribes and threatens his way) to the height of religious power as Pope, Lucrezia engaged at thirteen to a man in his twenties.  The alliance is created to suit the Vatican's political aims and hopes to quell any issues with the powerful Sforzas (another recognizable name in Italian history).  She and her three brothers are the children of Rodrigo Borgia, the new pope, and a married woman, Vanozza.  Cesare is the eldest and Lucrezia's beloved elder brother.  He's handsome, talented, intelligent.  Though the Spanish title of the Borgia's is his birthright, his father forces him into the Church instead, with the aim of making him a Cardinal.  Juan is the adored favorite by both parents.  He's brash, ill-tempered, poorly-behaved, and the rivalry between Juan and Cesare which began into the cradle extends throughout their lives, encompassing even their younger sister.  After Lucrezia comes Gioffre.  She adores her younger sibling, though it becomes clear that Rodrigo is uncertain whether or not the child is actually his.  He is hesitant to issue word that he's the boy's father, but he allows him to use the Borgia name and makes sure that he's well married to suit the Borgia aims.


As the story progresses, so do the voice and narration style.  Lucrezia very slowly comes to terms with the evils of her family and learns (imperfectly) to play their games.  She realizes that, as a woman, she is a pawn; however, she is not without weapons of her own.  She falters and feels helpless at times, leaning, when she can, on Cesare.  As time passes, Lucrezia learns that her desires account for very little on the chessboard of Renaissance Italy.  She is bartered for alliances and even used as a spy against her own husband -- a matter made more complicated when she learns one of her brothers may be involved with him.  One of the more complex subplots is the relationship between Lucrezia, Juan, and Cesare.  The brothers have always been pitted against one another; their sister's favor is just another area in which they compete, though Cesare is the clear favorite over the cruel, bloodthirsty Juan.  The complex relationship creates an undertone of attraction between Lucrezia and Cesare, both confusing and terrifying for the girl.  Juan takes note of this and discovers the perfect way to have his revenge upon them both.  This sets into motion a turn of events which will forever change the Borgias.  Murder and secrets, revenge and covetousness are the plagues of the Borgia -- and it seems even Lucrezia is not immune.


After the dissolution of her first marriage to Giovanni, Lucrezia returns to society harboring a dark secret.  She is given little reprieve before she is informed of her father and eldest brother's newest machinations to see her married off in yet another alliance.  This time, they seem to have taken her interests into account.  They've allowed her to have the final say...and this time, she won't settle for anything less than love.  Finally, it seems like Lucrezia is allowed to have some happiness in her life.  She learns of what it truly means to be a wife after the farce of her first marriage and she finds protection in the arms of her second husband.  Unfortunately for Lucrezia, the Borgia reach is far and intimate.  Her happiness cannot last forever -- not as long as Borgia interests take precedence.


While the love between Lucrezia and her second husband blossoms, her relationship with Cesare becomes more strained and dangerous.  Cesare, having shed his role of Cardinal, becomes a powerful tour de force in Italy's complicated and often violent military history.  He throws himself into his tactical ventures, determined to see the name Borgia carved forever upon Italy -- he will see them live on infamy with the other great Italian empires.  Lucrezia, who knows her brother best, notices there is something terribly wrong with him.  Gone is his cool cunning, replaced with an almost irrational and violent nature.  He is ill.  And it seems that he'll stop at nothing to achieve what he most covets, even if that means destroying what little peace Lucrezia has been able to obtain.


There's a delicate, successful balance of history and fiction contained within this book.  Ripe with names, dates, and actual historical events, you feel as if you're learning something while you enjoy a work of fiction.  Granted, there is a great deal of literary license to be taken with a family as secretive and complicated as the Borgias were (the author even notes that little is known about what actually took place behind closed doors with the Borgias), but it does seem as if a great deal of research and thought was put into this book.  I would recommend a basic knowledge of the Catholic Church, the historical role of the Pope, the power the Vatican held, and the history of Italy prior to picking up this book or you may be a bit lost.  You don't have to be an expert, just have some basic knowledge or there's a chance you might not appreciate the strength, power, and influence of the Borgia family.  Lucrezia, I felt, was a great narrator and main character.  She changed and grew over time, learning that she may be a beloved Borgia daughter, but that amounted to little in the grand schemes of her family.  Cesare was another dynamic character.  He went from hero to villain, from beloved brother to selfish rival.  I wanted to believe his love for Lucrezia would win out over his own ambitions, but we learn over time that this was not to be.  The first half of Lucrezia's life was rather tragic, marked with only a few brief periods of joy before her family, once again, intervenes with their own designs.


The book took a bit to get going, but I did eventually get sucked in.  I'm glad that I stuck it out.  If you're a fan of historical fiction based upon real people and events, then this is right up your alley.  If you have an interest in infamous Italian/Spanish families, then all the better.

Monday, October 8, 2018

What Angels Fear (Sebastian St. Cyr Mysery, Book One): C. S. Harris


"The year is 1811.  As old King George III sinks deeper into madness, and the threat of social unrest and revolution haunts the privileged classes, a beautiful young woman is found raped and savagely murdered on the altar steps of an ancient parish church not far from Westminster Abbey.  An ornate dueling pistol discovered tangled in the blood-soaked folds of Rachel York's cloak and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experiences in the Napoleonic Wars.  When a vicious attack during his arrest leaves a constable near death, Sebastian must run for his life.

"Now a fugitive, Sebastian calls upon his experience as an agent during the war to embark on a desperate quest to catch a brutal killer and prove his own innocence.  Ranging from the glittering ballrooms and sedate salons of Mayfair to the squalid back alleys and fetid churchyards of St. Giles, Sebastian accumulates a band of unlikely allies, including a street urchin named Tom, an opium-eating Irish doctor, and a lovely but mysterious actress who calls herself Kat Boleyn.  Years ago, Kat broke Sebastian's heart.  Now she may hold the key to his salvation -- or doom him to destruction.

"For as he plunges into a world of intrigue and espionage, Sebastian discovers that Rachel York was more than what she seemed.  When the twisted path leads from a French spymaster to a Machiavellian power broker, and from there to the future Prince Regent, Sebastian begins to realize that Rachel's death holds ominous implications not only for Sebastian's own family, but also for the future of the British monarchy.

"Seamlessly weaving historical fact and an intimate knowledge of the period with a multilayered and compelling story, What Angels Fear is a stunning fiction debut by a powerful new master of mystery and suspense."

I stumbled across a later installation of this series on the New Release shelf at my local library.  Anyone who reads this blog knows I've been on a bit of a mystery/suspense kick as of late, and I particularly favor period mysteries.  This one fit in perfectly.  To my surprise, my local library actually had the first book in the St. Cyr series and I very much looked forward to cracking it open.  I was hoping that it would be a captivating blend of murder-mystery and period drama; I was not left disappointed.

Sebastian St. Cyr, Viscount Devlin, is implicated in the gruesome murder of a young actress in a church.  He's known to have some strange characteristics and abilities, making people suspicious of the young lord newly returned from the violence of the Napoleonic battlefields.  Perhaps the horrors of war have scarred him too deeply to allow him to walk freely amongst the people of London.  With the impending announcement of the Regency, England is uneasy and wary of any nobleman who might get away with such a violent, twisted crime.  There are calls for Devlin's blood and he does the only thing he can do:  He runs.  Though he knows the timeline for the murder is impossible -- he's entirely innocent of any such crime on English soil -- no one believes him.  And matters are only made worse when the unfortunate injury of a constable during Devlin's arrest appears to mark him as the violent animal everyone believes him to be.  Calling upon his skills attained on the Continent from his time spent as a spy for the British cause, as well as his unnatural physical abilities, Devlin manages to evade capture as he doggedly sets out to prove his innocence and seek justice for the slain young woman.

What Devlin does not expect to uncover is the complex web of lies and alliances, the network of political subterfuge, and the multitude of pawns in play on the intricate board that is Europe during the early nineteenth century.  Each fact he discovers seems only to reveal more questions, leading him down yet another wending path with blind turns and danger as his only companion.  Along the way, Devlin realizes that his family is more involved in the scandal than he originally believed.  Still, he remains determined to uncover the truth, even if it means the ruin of the St. Cyr name.

Along the way, we meet a band of lively characters.  The undercurrent of romantic tension with Kat Boleyn was a pleasant and tense layer to this multifaceted story.  The history between them is complicated, to say the least -- each of them extremely stubborn.  Devlin knows Kat has connections and skills which could very well save his life; however, he doesn't know the dark secrets Kat must withhold even from the man she secretly loves.  Though Devlin suspects she's somehow embroiled in the complex web, he has no idea just how deep the connection runs.  And Kat will do everything she can to keep it that way.  Tom is a street urchin Devlin meets when the boy tries to pick his pocket at an inn shortly after Devlin's initial escape from custody.  The boy has remarkable skill and drive, lending an air of complexity to his character.  He has a deep sense of loyalty and a seemingly endless supply in the belief that the truth triumphs, despite the hints that his past has proven anything but.  His sense of humor and quick wit lend levity to an otherwise dark and heavy plot.  Though Devlin resists at first, he quickly learns that Tom can come in handy.  Even with Devlin's skills and abilities, Tom has a way with people and a knowledge of the streets which Devlin puts to very good use.  Tom even manages to help Devlin out of a few close calls along the way.  In addition to these very prominent secondary characters (though Kat is a bit more complex than a simple "secondary character" because several chapters are, indeed, from her point of view), Devlin encounters several others whom liven up the plot and aid him in his search for the true killer.  His old friend, an opium-addicted doctor from the war, uses his medical knowledge to clarify the facts of Rachel's death, revealing truths which reveal hidden motives and startlingly grim truths about the murderer.  Devlin even forms a connection with a well-dressed grave robber, an expert at procuring bodies for medical and...personal...purposes.  Along with these men come a bevy of possible suspects ranging from Devlin's own family to those in the higher echelons of the monarchy; a Frenchman in exile who is more than he appears; an Italian artist with remarkable talent and a fascination with the beautiful dead woman.  Readers are left guessing almost until the very last chapter who is responsible for Rachel's death.

Harris weaves together an intricate fictional storyline with historical and political fact.  The settings are remarkably detailed and vivid, revealing the truly ugly sides of nineteenth century London.  Even with the filth and grime, there's a morbid beauty in these descriptions of London which call to mind the glorious poems of William Blake (see his works "London" and "The Chimney-Sweeper" for excellent examples, if you're interested -- I can absolutely see echoes of Blake's work here).  The marked differences between the suffering of the people and the privilege of the aristocracy are made painfully blatant in this book, adding notes of reality to the plot.  This is, perhaps, one of the things which pulled me in the most.  There were no romanticized depictions here, only harsh, bleak realism.  This was a very different approach than what I am used to when reading period fiction and I, for one, appreciated it, especially because it was handled so artfully.  I felt transported; sometimes in a way which made me uncomfortable.  It was a new sensation which, to be honest, made me start and stop a few times within the first half of the book.  The delay in my reading had nothing to do with the quality of the writing or the interesting nature of the story, and everything to do with the fact that it made me think and it made me experience emotions I'm not necessarily accustomed to when reading.  These ended up being what make this story so special.  The story is violent and dark, twisted and mysterious.  It's not going to be a book for everyone, but, man, does it end up being an exciting, thought-provoking read.

Devlin was a fantastic lead.  A lot of the mystery/suspense books I've read lately are told from the first-person; I ended up enjoying the fact that this book was not.  It's a format I'm more used to and I find that I'm more drawn to a narrator who is more removed from the story -- I don't always want to feel like "I" am the main character because it can sometimes read a little bit like a Fanfiction.  It was very interesting to see the way in which his mind worked and to experience his abilities as we do.  At first, I thought his yellow eyes, heightened senses and reflexes were a bit over-the-top (more like the author was attempting to create a cool, superhero-like main character than one who was realistic, which felt slightly out of place in the hyper-realistic setting), but I was very pleasantly surprised to discover in the Author's Note that Devlin's abilities and physical attributes are part of a very real genetic mutation (I'm a sucker for this kind of stuff).  This made me appreciate him all the more and it turned a once-unbelievable main character (though cool, nonetheless) into one who was perfectly suited for the life of a spy and to get himself out of what appears to be a hopeless and impossible situation.

As this book is the first in a series, the conclusion sets up the possibility for more adventures.  It also leaves a great deal of unanswered questions about the heavily-guarded secrets of Devlin's family history -- things for which some would be willing to pay dearly and others would do anything to protect.  With his drive and talents, I think Devlin makes a captivating main character and I really am looking forward to seeing where the series takes him.

While the story took me a few days to really get into (which I've already explained above), the plot moved at an excellent clip and contained so many twists and turns that I was often left spinning, just like Devlin.  I was invested in his search for the murderer, and I desperately wanted to see him clear his name.  The subplot of his complicated romance with Kat was an excellent touch and really fleshed him out.  It gave him a rich backstory even more intricate than his just having an uneasy relationship with his surviving family members, and the fascinating time he spent at war.  The hints of PTSD were a realistic touch to his character.  Devlin is strong and unique, but not infallible.

I will reiterate that this book will not be for everyone.  Like most murder-mysteries, it has some very intense violence and grim themes.  The vivid writing style, however, can make this even more disturbing to some readers, so I will caution you if you're weak of stomach or have an averse reaction to such things.  This is not a happy book on any level, but it is a fascinating one.  It keeps you guessing, it makes you think, and you don't see the end coming until it practically slaps you across the face.  Kudos to an author who managed to hide the truth from me for about 300 pages -- this is no easy feat.  I hope the same can be said of the other books in this series.  Another part of what makes this book so masterful is the fact interwoven with the fiction.  Harris is an accomplished scholar and it is certainly apparent in her knowledge of the time period in which this book is set.  I recommend this book to those with a strong continence, a love of intrigue, an admiration for strong male leads who have a soft spot for a strong woman, and who enjoy more than a little suspenseful mystery.  I'm sure you'll be seeing more of Devlin in reviews to come.

Thursday, August 16, 2018

The Duchess Deal (Girl Meets Duke, Book One): Tessa Dare



"WHEN GIRL MEETS DUKE, THEIR MARRIAGE BREAKS ALL THE RULES...
 
"Since his return from war, the Duke of Ashbury's to-do list has been short and anything but sweet:  brooding, glowering, menacing London ne'er-do-wells by night.  Now there's a new item on the list.  He needs an heir--which means he needs a wife.  When Emma Gladstone, a vicar's daughter turned seamstress, appears in his library wearing a wedding gown, he decides on the spot that she'll do.

"His terms are simple:
    They will be husband and wife by night only.
  • No lights, no kissing.
  • No questions about his battle scars.
  • Last, and most importantly...  Once she's pregnant with his heir, they need never share a bed again.
"But Emma is no pushover.  She has a few rules of her own:
  • They will have dinner together every evening.
  • With conversation.
  • And unlimited teasing.
  • Last, and most importantly...  Once she's seen the man beneath the scars, he can't stop her from falling in love."
And we're back to Tessa Dare!  This is her newest book and I was SO excited to start reading it.  I've plowed (no pun intended) my way through the rest of her books and was desperate for some new reading material.  Dare is easily my favorite period romance author.  I have some others whom I very, very much enjoy, but none quite so much as Dare.  Her characters always manage to charm me with their quirks and their extremely unique personalities.  Dare is one author I could never accuse of "recycling" plots or characters; each is so individualistic that I find this to be her trademark.  She writes unique, powerful characters -- each with their own mannerisms, speech patterns, and appearances.  One of my favorite aspects of her writing is probably the fact that she imbues each of her characters with some sort of "flaw," whether it be physical, emotional, or psychological.  This book was no different.

I'm about halfway through this book and Ash has very quickly become one of my favorite characters of all time.  His personality and penchant for Shakespearean insults are spectacular.  I will say that some of his (more comedic) comments thus far feel a bit more "modern" than I am used to in a period book, but I still found them incredibly amusing.  His wit and sense of humor are wonderful.  It took me a minute to understand just why he spoke so archaically, but, once I did, I appreciated him all the more.  It's no secret that he's horribly scarred from his accident at war.  I very quickly saw this book as a variation on Beauty and the Beast, but there is so much more to this book than that...think Beauty and the Beast meet Batman.  This sounds utterly absurd, I know, but you'll understand what I mean once you read it.  I picked up this book believing I would find another physically-and-emotionally damaged, gruff, surly male hero, but I have discovered so much more in Ash.  His character is so refreshing and so very different from the stereotype I was anticipating.  This is not to say that there's anything horribly wrong with the stereotype, just that I am extremely pleased to have encountered such a different hero.  Of course, Ash certainly is physically and emotionally damaged, but it's how he handles his life and his encounters that is so fun (not a very good word, but oh well) and enjoyable to read.

I really enjoy Emma thus far.  She's so spunky and I particularly appreciate that she's so far outside the realm of a "shrinking miss" that they're not even on the same continent.  This needed to happen for the plot to work and for her to match Ash's very powerful personality.  His character very easily could have overpowered his female counterpart in the story, but Dare has managed to make a very nice pairing with both their backgrounds and personalities.  Her backstory is rich and I can believe that it helped to shape her into the woman she was when she met Ash.  Having just read another story with a vicar's daughter as the female lead, I can confidently say that I enjoyed this rendition a bit more.  She felt more human and flawed.  Granted, Emma and the other female lead had very different backgrounds and experiences with their families, so this probably played a big role.  As a character, Emma successfully bridged the chasm between vicar's daughter and romantic lead -- things I, personally, have never really felt went together well.

The reading continues onward and I'll return with the completion of my review.

***

So I ended up devouring the rest of the book mere hours after finishing the first part of this review.  Ash is easily the best male lead I've encountered in a very, very long time -- if not my all-time favorite.  His sense of humor was absolutely charming and wholly unexpected.  He's a goofball.  (I suspect I may have enjoyed him so much because it reminds me a bit of my husband -- he can be very gruff and abrasive sometimes, but he's a totally different man and his personality really shines when it's the two of us and he's comfortable and can just be himself.)  He feels a great deal younger than he actually is, which was rather fun.  I was still completely enamored of his use of Shakespearean insults, even at the end of the book.  While his damaged body, mind, heart, and soul were a huge part of who he was, I sincerely appreciate the lengths Dare went to in order to make him more than just the sum of his broken parts.  He was SO much more than another beast waiting for his beauty to heal him and make him whole; to show him that he was worth loving.  His personality was outstanding and really made this book a success.

Emma, as I suspected, turned out to be the absolutely perfect foil for Ash.  She remained fiery and determined, no matter the circumstances.  She was strong and willful, romantic and sweet.  She was going to prove to Ash that she was attracted to every single thing about him -- whether he liked it or not.

There are a few good twists and turns in this book that kept the plot moving along at a very pleasant clip.  The Monster of Mayfair was a particularly fun aspect and I'm sticking to my earlier statement that this book is Beauty-and-the-Beast-meets-Batman.  It makes complete sense once you read the book...I promise.

I already CANNOT wait to read the next book in this series.  The premise was already put into place in this story and we were introduced to some fantastically unique female characters in this book -- I can only expect that Dare plans on creating a story for each of them.  I'm already itching to get my hands on the next story!

Dare has once again solidified her place as one of my favorite (if not my VERY favorite) author of this genre (or even in general).  This is supremely high praise and I don't think it is overblown in the slightest.  Her characters are rich, charming, and easy to love.  She imbues each and every last one of them with personalities and quirks which really bring them to life.  Her plots are exciting, unique, and steamy.  The romance is believable and fun.  I am absolutely enamored of her writing style and creativity.  I simply cannot say enough about Dare and I HIGHLY recommend her to anyone who is a fan of period romance, or is even just interested in this genre.

EDIT:  I forgot to add one of the main reasons I enjoyed Emma so much...  I mentioned before that she's no shrinking miss, but I failed to mention just how naughty she is.  As opposed to feeling over the top or bordering on just plain erotica (usually where there is very little substance to the characters), it was fun and playful!  She wasn't afraid of experimentation, nor did she shy away from Ash's appetites.  While the mentality was probably a bit more modern, it was SO refreshing.  I didn't realize how tired I'd grown of cautious women who shirk away from anything but the most vanilla of acts.  Few characters (and authors) can pull this off with such ease and believability:  Emma and Dare are the perfect example of this.

Monday, August 13, 2018

The Broken Girls: Simone St. James

"Vermont, 1950.  There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good.  It's called Idlewild Hall.  And in the small town where it's located, there are rumors that the boarding school is haunted.  Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears....



"Vermont, 2014.  As much as she's tried, Fiona Sheridan cannot stop revisiting the events surrounding her elder sister's death.  Twenty years ago, her body was found dumped in the overgrown fields near the ruins of Idlewild Hall.  And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.




"When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it.  But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced...."


I thought I would change things up a bit with this book.  And BOY DID I!  I pulled this reading choice from a list I pinned on Pinterest:  Books you won't be able to put down.  That was certainly the case with this one.  I simply could not wait to see what happened next.


This story strayed VERY far from my usual reading material.  I can't recall a time when I read a book of this genre; it had elements of mystery, horror, and a great deal of suspense.  I can admit that, prior to reading this book, I used to think it was silly whenever someone told me that a book terrified them.  I should have known better than to criticize this.  Logic says if we lose track of the outside world and fall into the realm of our characters when we read a particularly good book (we see, hear, feel, taste, smell, etc. everything that they do), then the same thing would happen when we read a "scary" book.  I am not usually a fan of "scary" movies, but I thought a book would be relatively harmless.  This story definitely changed my mind.  It proved to me that books can give us nightmares and make us feel as if we aren't alone in a room; they already make our imaginations run wild, so books in this genre really take advantage of that.  I made the mistake of reading this while home alone at night...not a great idea.


The way in which St. James plays with time and perspective -- jumping back and forth from 1950 to 2014 and switching from various points of view of Fiona and the girls attending Idlewild Hall -- was a superb technique to keep the tension high, the story moving, and make me want to keep reading.  The threads of the stories seemed to run parallel to one another, but it was only as I forged ahead that I realized just how complex a story this was and how those threads were actually complex intersections, like a spider's web.


I'm not usually one for a ghost story, but I found Mary Hand to be particularly chilling.  Everyone's experiences with her were different and this was, perhaps, the most chilling aspect.  What is more terrifying than a ghost who learns and adapts?


The shocking discovery during the renovations at Idlewild Hall threw such an unexpected twist into the story and really brought all of the worlds into a collision course.  There were many twists and turns such as this and the pacing was excellent.  The reading list was correct:  I really could not put this book down!


What really sold this book for me was the descriptions of Idlewild Hall.  I would be lying if I said I didn't get the chills a few times.  It seemed like such a miserable place to reside, let alone be forced to attend boarding school.  The writing style was eloquent and very readable.


The school and the characters are all haunted by their pasts in this chilling, thrilling story by St. James.  I found it incredible well-written and fast-paced.  The terrifying echoes of the past collide with the tumultuous future and make for a must-read book.  Honestly, I really was not expecting to like this book as much as I did -- if only because it is not my usual cup of tea.  I was pleasantly surprised with how enthralled I became with this story.  I simply had to know what was waiting around the next corner.


If you're not one for scary or chilling, this isn't for you.  It's not a happy read in any sense of the word.  If you want something thrilling and bone-chilling, then this is right up your alley.  I promise I'm not exaggerating when I say that this book kept me on the edge of my seat pretty much the entire time.  It started off thrilling and continued along with the same pacing throughout.  The twists and turns kept me guessing, the mystery and ghosts gave me chills.  If you're looking for an exciting escape, then look no further.

A Kiss to Remember (Farleigh Sisters, Book One): Teresa Medeiros

"Laura Farleigh is playing with fire.  With only three weeks in which to marry in order to gain the title to Arden Manor, the house she and her younger siblings are living in, the penniless beauty has no time for romantic dreams.  She must seize any opportunity for matrimony -- before she loses her chance to keep her benefactor's prodigal son, the notorious Duke of Devonbrooke, from taking possession of her home.  When fate presents her with an amnesic Adonis in the woods nearby, Laura is determined to convince the injured stranger that he is, in fact, her loving fiancé and hurry him to the altar.  She's chilled to discover that the nameless man is in fact the dreaded duke, who will not be pleased to learn that he's been played for a fool -- even by a beautiful captor who has fallen in love with him in the process.  Laura has only one chance to secure her future happiness.  Somehow, before their rapidly approaching wedding night, she must with the heart of this rake who has a reputation to rival the Devil himself.  Teresa Medeiros, whose love stories so often have more than a touch of magic about them, has created a delightfully original version of the classic romantic tale of Sleeping Beauty in A Kiss to Remember." *Taken from FantasticFiction.com





"At the tender age of seven, Sterling Harlow, the seventh duke of Devonbrooke, was virtually sold to his coldhearted uncle to pay off his own father's gambling debts.  Sterling won his uncle's title in the bargain--but lost the playful spirit of his youth.  Dubbed 'the Devil of Devonbrooke,' Sterling's exploits have earned him a reputation as a notorious rake.  And when his mother dies, he is determined to take possession of her home--even if he must remove his mother's ward, Laura Farleigh, to do it.  But while he is returning to Arden Manor, a riding accident knocks Sterling unconscious--and when he awakens, his memory is gone.






"Laura Farleigh has turned down more marriage proposals than she can count--for no man can compare to the noble and handsome man of her dreams.  But when her benefactor dies, Laura learns that the woman's prodigal son, the infamous due of Devonbrooke, plans to return to Arden Manor.  Laura has never laid eyes on the duke, but his reputation precedes him--and Laura is determined to keep him from casting her and her young siblings into the streets.  Her only hope is a stipulation in the will that says if Laura marries by her twenty-first birthday--a mere three weeks away--the house will be hers.






"Laura prays for a miracle--prayers that seem answered when a morning walk yields a remarkable discovery:  a mystery man with the face of an angel and the body of Adam.  Best of all, he seems to have no memory of who he is--or more important, who he's not!  Desperate, Laura does the unthinkable.  She lies.  Not only does she tell the mystery man that he's her fiancé; she convinces him that he possesses all of the qualities of the man of her dreams!  As she nurses her 'betrothed' back to health, Laura thinks her problems are solved.  That is, until she realizes that her handsome stranger and the duke of Devonbrooke are one and the same--and that the man she has convinced to act like a pussycat is really a dangerous panther.






"As the wedding night approaches, there's only one way for Laura to atone for her deception--she must with the heart of the Devil himself to save both their souls...."




This is another re-read of a book I read quite some time ago; the very short original review can be found HERE.  On that review, this is listed as Book Three in the Fairy Tale Series, but FantasticFiction.com lists it as Book One of the Farleigh Sisters series.  I may research the proper reading order because this annoys me...




I seemed to really like this book the first time around and I enjoyed it this time as well.  I didn't love it, though.  It simply was not my favorite book by Teresa Medeiros.  If I am entirely honest, I think it's because Laura was simply SO pious and, yet, her selfishness in believing the handsome, unconscious stranger was sent just for her irked me.  I know Medeiros is religious, herself, so I can understand the tones in this book and can respect them for what they are, but I found Laura to be pretty hypocritical.  I can't tell if this was intentional or unintentional.  I've just never found a (steamy) romance novel where piety and religiousness really suit the characters well.  There's just something about the belief system that doesn't quite go.  This is, of course, just my personal opinion.  I'm sure some out there won't mind it as much as I did.  That being said, I still liked the book.  The characters were vivid and lively, especially Laura's siblings, George and Lottie.  Diana, Sterling's cousin, and Thane, Sterling's best friend and Diana's ex-betrothed, had a particularly amusing dynamic.  This time around, I've quickly realized that one of this author's trademarks is creating stories within her main story; accomplishing this with well-rounded secondary characters.  Medeiros doesn't seem content with creating one love story, but she usually seems to create undertones for another -- either writing one directly into the book (like this one), or creating the foundations for another in a sequel story.  It takes a lot of craftsmanship to write this way and not lose any of the magic from the true main characters.


As a male lead, Sterling had a complicated backstory.  While so many characters believed the world to be very cut and dry, he is evidence that this is not necessarily the case.  His past and the events that made him into the man who would be the Duke of Devonbrooke.  The explanations of how any why he became so cold and removed were believable and poignant.  I will say, however, that I liked him a great deal more when he was Nicholas, Laura's imaginary fiancé.  His personality was rich and multifaceted; we get a glimmer of the man he probably would have become had he not been sold off to his uncle.  This, I thought, was probably my favorite part of his character.


Laura was a decent female lead.  I've already voiced my opinions on the contrariness of her character and her religion, so I won't go over this again.  I loved what a romantic she was at heart.  This lent her character an air of believability and realism without which she would have fallen rather flat.  It made the fact that she turned down so many proposals more realistic than snobbish.  I liked her interactions with her siblings quite a bit.  They're such close-knit family that it made it easy to believe how and why she was willing to stay with the Devil of Devonbrooke, even after she finally realized his true identity.


The tension between Sterling and his mother was a poignant undercurrent.  Though his mother wasn't physically present for a vast majority of the story, she felt very alive and real.  I thought the excerpts from her letters at the start of each of the chapters was a very nice touch.  When Sterling is finally forced to face his feelings about his mother and his sense of abandonment...boy did I get choked up.  It was raw and painful and beautiful all at the same time.


Arden Manor was a wonderful setting; so much so, in fact, that I actually enjoyed that bit of the book much more than when the setting shifted to London.  This was a great bit of writing by Medeiros because I, too, felt as if I'd left "home" when we abandoned Arden Manor for the cold London mansion.


As far as the "retelling of the Sleeping Beauty story" goes, I found this one quite successful.  Having the maiden wake the prince made for a nice twist; Sterling's amnesia was well-written, and the story (as usual) had a touch of magic.  It's a fun variation that I can appreciate, especially because it's far from blatant.


I do recommend this book even though it was not one of my favorites by Medeiros.  I still enjoyed the lively characters and the fun, unique plot.  There were aspects that I didn't love, but that didn't prevent me from liking the overall story.