Monday, February 11, 2019

Bad Attitude (BAD, Book One): Sherrilyn Kenyon


“NAME:  Steele

“CODENAME:  Azrael—“Angel of Death”—because he goes places where even angels fear to tread

“SPECIALTY:  One shot, one kill

“WEAKNESSES:  Women in high heels, freedom under siege, and eBay

“PROFILE:  Prefers to work alone—except in the bedroom

“MISSION:  Kill the bad guy, save the world, and hopefully end up with the girl

New York Times bestselling author Sherrilyn Kenyon has created a major buzz with her stories about the sexy heroes of the Bureau of American Defense.  Now, she presents her first full-length novel featuring the agents of BAD—a story of unforgettable characters and heart-stopping romantic suspense.

“BAD agent Sydney Westbrook must find the perfect sniper for a risky counter-terrorism mission.  The assignment is simple:  find and kill a hired assassin before he kills a high-profile world leader during a peace conference on American soil.  JD Steele, a trained military sniper whose attitude problem landed him in prison, seems a good candidate for the job since he doesn’t have many other options.  But it turns out Steele doesn’t take orders easily—not even when they come from an intriguing agent who has his number down pat.  As they’re dragged deep into a secret world of freelance killers, Sydney begins to discover the man of honor and passion hidden beneath Steele’s arrogant façade.  It’s a man even Steele didn’t know he could be.  But how can he fulfill his duties when doing so will risk the life of the only woman he’s ever really cared for?”

I’ve been reading a lot of new (to me) authors lately and I wanted a fun read by an old favorite.  I couldn’t locate the next book in Kenyon’s Dark Hunter series (yes, I’m still pacing myself and slowly re-reading that series), so I thought I’d start something new.  I’ve seen a few of her BAD (Bureau of American Defense) books here and there at bookstores, online, and at the local library.  Anyone who glances at my reading history knows I lean away from “modern romances,” especially ones set in the United States.  Kenyon’s Dark Hunter series is a bit of an exception because it contains so many historical and paranormal aspects that it breaks me out of the norm.  BAD is borderline.  It is a modern series surrounding a secret branch of American agents who have access to incredible technology, possess amazing abilities and talents, and come from varied backgrounds.  At the heart of it, these agents are still just people.  Still, I wanted to give this series a shot.  This book is supposed to be the first in the BAD series, but I quickly got the sense that I was missing something.  It was mentioned that two agents were on vacation together, which gave me the impression that theirs was, perhaps, a novella or short story that I hadn’t yet read.  I noted on FantasticFiction.com that there is a collection of stories for this series, but it’s not listed first in the reading order.  Maybe this solves my issue?  I don’t think my enjoyment suffered because I felt like I wasn’t reading the stories in order, but the perfectionist in me doesn’t like doing this (even by accident).

We’re introduced to Steele when he’s still overseas.  His best friend and spotter has just been killed and he’s struggling to come to terms with the loss, as well as the pain and anger everyone else is taking out on him, the survivor.  It isn’t until later that he discovers that his CO (commanding officer) is covering up the mission and shoddy intelligence he used to send Steele and Brian out into danger.  The CO blames them for getting lost and making foolish decisions, ending in the loss of Brian’s life.  Steele, blinded by anger and pain, does something very stupid in retaliation and, in turn, he winds up tried and sentenced to twenty-five years in prison back in the States.  This results in his military-oriented family disowning him and Steele finds himself more alone than ever.

Two years into his sentence, he’s approached by a strange man and two women.  There’s something very different about the trio and his training instantly tells him that these are no ordinary individuals.  Their mannerisms and controlled expressions tell him they’re well trained and a part of something very dangerous.  The kicker is that they want to draft him into a very dangerous mission, dangling the carrot of freedom and an expunged record if he complies and succeeds.  Clearly there’s only one choice for Steele to make.

We quickly learn the intricacies of the secret agency, BAD, and the hidden role it plays in the security of the United States.  Headquartered in Nashville, TN, they have access to the entire country, seemingly limitless technological resources, and licenses to do things other agencies would deem unsavory.  They’re comprised of past criminals, loose cannons, and those who struggle with following the rules and rigid authority.  It’s the perfect environment for Steele.

Other than his talent and his past, Steele was chosen for this mission because he was also approached by APS, another secret agency BAD has been attempting to infiltrate, but has yet been unsuccessful.  They need Steele to pretend to accept the position at APS in order to uncover top secret information and, perhaps, prevent another World War.  This, of course, lands both Steele and Sydney in more danger than BAD predicted.  They soon find themselves on the run in a life-or-death game of cat and mouse.  Only if they survive do they stand a chance of stopping an assassination that could cause history to repeat itself.

Steele was a good, typical “Kenyon” male lead:  He’s angry, tortured, has a rocky past, and doesn’t care for distractions or interferences.  She has an amazing knack for creating male leads who seem like antiheroes, but they eventually discover that they have it in them to be real heroes (very, very few of them remain antiheros – I can probably list them off using the fingers on only one hand).  Their dark and twisty natures are always well-developed and unique.  I hadn’t read a book of hers where the male lead was once in the (modern) military and I definitely appreciated all of the research she so obviously did.  I felt like I understood the mentality and the world that shaped them.  In Steele’s case, it was his entire history that helped make him the man he was when he met Sydney.  By far my favorite part of his character was his “bad attitude.”  (Don’t you love it when a title comes into play in a review?!  No?  Maybe that’s just me.)  His sarcasm was extreme and I loved how he went out of his way to annoy absolutely everyone.  His attitude was bad to the max.  It’s easy to create a male lead with a generic “bad” attitude, but Kenyon tweaked him enough through mannerisms and comments that he was unique.  I do have some criticisms about him.  The first part of the synopsis indicates he’s a fan of eBay – I didn’t see this once in the book, though it would have been an amusing quirk.  I’ve learned from snippets here and there (not just this book) that snipers do not, in fact, work alone.  They have a spotter and work very, very closely with them.  They form a unique, tight bond born of trust and danger.  To say that Steele prefers to work alone wouldn’t be entirely accurate.  A sniper doesn’t really work alone.  Now, if this is intended to say that he never means to take another spotter/partner because it means risking someone else’s life, then this might be more accurate.

Sydney, on the other hand, was less unique.  We’re immediately introduced to her as a slightly curvier, heavier, shorter Angelina Jolie lookalike.  I don’t really care for such blatant comparisons – it makes the characters feel less unique and more based off of impressions of a real person known by everyone.  Granted, it makes it easier to picture a character by giving them a blatant lookalike, but I find it less fun and it actually hurts my sense of imagination.  Personally, I then picture the actress/actor’s mannerisms and speech patterns I’ve seen during interviews or events or even as they act in films.  Maybe I’m the only one who has an issue with this, or maybe I’m just being picky.  I’m not used to Kenyon making such blatant comparisons and I usually find her characters to be much more unique.  This is probably why I didn’t find Sydney to be overly interesting.  She had a decent backstory and reason for wanting to be a part of BAD, but that was about it.  She, herself, had a bad attitude and I didn’t feel like the reason was explained particularly well (over and above her reason for refusing to date coworkers anymore).  I did like her banter with Steele – they seemed well-equipped to go toe-to-toe again and again and again.  I kind of wanted to see her (quite literally) kick his butt because she probably could have, but it was not to be.  In the past, there hasn’t really been an issue with Kenyon writing physically and mentally powerful women who can (and do) kick men’s butts, but I wonder why she didn’t really use that here.  It seemed like a bit of a missed opportunity for this plot.

As far as the romance goes (because this is, at its heart, still a romance novel), I found it less believable than in Kenyon’s Dark Hunter books.  The scenarios are similar:  man and woman are thrust together under dire circumstances, they learn to work together as a well-matched team, they save the world and fall in love in the process.  However, while I get that Steele has been celibate for a long time, I don’t quite understand how he “clicked” with Sydney.  He could have been attracted to her, but I would have felt more convinced had he chosen to “scratch his itch” rather than hold off.  He didn’t know Sydney; by all accounts, she could have never given in to his crude advances, why wait?  On the flipside, I was more convinced by the progression of Sydney’s growing feelings for Steele.  Her sympathy felt genuine even if her weakness for him did not.

Overall, this is a very different type of plot and brand of storytelling than Kenyon’s wildly popular Dark Hunter books – and there’s a reason those are so much more well-loved.  Kenyon’s genius lies in the way she can craft whole underworlds and histories, fantastic characters and captivating otherworldly plots.  BAD does this to a small degree, but I don’t find it as successful.  I still finished reading this book in less than 24-hours, so that has to say something.  I still enjoyed it.  Had I read this before becoming such a fan of the Dark Hunter books, then perhaps I would have been more enamored.  Echoes of Kenyon’s talent ring throughout – especially in her secondary characters (for those of you who know the world of her Dark-Hunters, then you’ll understand what I mean when I say there are shades of Acheron complexity in BAD’s director, John Q. Public; I also eagerly await reading his story…because he so clearly has one coming).  There was a nice spark between Steele and Sydney, even if I didn’t always find it the most believable.  They did have chemistry.  The fast-paced plot and interesting story kept me very interested and I enjoyed reading this in (almost) one sitting.  Even if I’m not in love with the series thus far, Kenyon remains one of my favorite authors.

A Simple Favor: Darcey Bell

"A Simple Favor is a feverish and expertly plotted tale of psychological suspense--a twisting free fall filled with betrayals and reversals, secrets and revelations, love and loyalty, murder and revenge.  Darcey Bell exposes the dark underbelly of female friendship in this taut, unsettling, and completely absorbing story that holds you in its grip until the final page.


"It starts with a simple favor--an ordinary kindness mothers do for one another.  When glamorous Emily asks Stephanie to pick up her son after school, Stephanie happily says yes.  Emily has a life that would make any woman jealous. She is the perfect mother with a dazzling career working for a famous fashion designer in Manhattan.  Stephanie, a widow with a son in kindergarten, lonely in their Connecticut suburb, turns to her daily blog for connection and validation.  Stephanie imagines Emily to be her new confidante and is shocked when Emily suddenly disappears without a trace, leaving her son and husband with no warning.


"Stephanie knows something is terribly wrong.  Unable to keep away from the grieving family, she soon finds herself entangled with Sean, Emily's handsome, reticent British husband.  But she can't ignore the nagging feeling that he's not being honest with her about Emily's disappearance.  Is Stephanie imagining things?  How well did she really know her 'best' friend?

"Stephanie begins to see that nothing--not friendship, love, or even an ordinary favor--is as simple as it seems."

My friend and I wanted to see the film adaptation of this book when it came out a short while ago, but we never got around do it.  When I finally saw a copy of the original book on the shelf at my local library, I knew it was something I had to check out.  The promos made the book look deliciously twist and suspenseful.  After beginning my journey into this book, I was not disappointed.

We open with Stephanie's blog posts -- a blog she writes to reach out and connect with other moms out in the world, for kinship, validation, and friendship (whether or not she even truly realizes the last).  She and her son, Miles, make their lonely way through life after the death of Stephanie's husband, Davis, and her brother, Chris, in a tragic car accident.  Stephanie, perhaps, doesn't realize how lonely she really is until she finds what she believes to be a true and honest friend in Emily, the mother of her son's favorite playmate in school.  They bond over shared secrets and wine, as well as the challenges of raising sons in their Connecticut suburb after leaving the bustle of New York.  Stephanie is very quickly enamored of Emily and her lifestyle, her seeming perfection and elegance.  Having no one else to turn to, Stephanie quickly turns to her blog when Emily doesn't show to pick up her son from Stephanie's house after school one evening.  At first, Stephanie believes she may have misheard Emily or perhaps Emily's emergency had pulled her away for longer than anticipated.  It's only when Emily's continued unresponsiveness and days pass that Stephanie's concern blossoms into true fear.  She reaches out to Emily's husband, Sean, while he's on a business trip overseas.  At first, Sean's lack of concern and knowledge of Emily's hectic schedule makes Stephanie feel like a worrier.  It isn't until Sean returns to the States and Emily still hasn't returned that the two of them find a shared bond over their fear for Emily's safety.  Where had she gone?  Why had she left?  Was she still alive?  As more and more evidence is uncovered, more questions seem to pop up rather than answers.  What happened to Emily?  These questions seem to be answered...but there were far too many pages left in the book for this to be tied up in a nice, neat little package -- I always find this terrifying; when everything seems to work out, but then there is too much book left for this to actually be the case.  What on earth can the author have in store for me?!  This was absolutely the case with A Simple Favor.

The many twists and turns of this dark and suspenseful story kept me guessing.  I was so sure I knew what was coming right from the very beginning, but I admit that I changed my guess several times over until the truth was finally revealed.  The complex plot and multifaceted characters made for a psychological thriller that was difficult to put down; the tension never really abated.  The first lines of the book ring true throughout:  no one tells the truth and everyone has secrets.  Sometimes even the most innocuous of individuals have the deepest, darkest secrets of all.  Can you ever really, truly know someone?  This book definitely plays off of insecurities about opening up to one another, and the possibilities that people we hold dear are not actually who they seem to be.

At first the narration bounces back and forth between Stephanie's blog and her point of view (which is far more honest and revealing than her public online posts).  This is the first clue that there is a lot more to all of the characters than we see.  Gradually, more is revealed about Stephanie's past and she's not the perfect woman/mother she portrays on her blog -- then again, is anyone really as perfect as the profess to be on social media?  We realize the depth of her relationship with Emily and why Stephanie felt the two of them were so close.  This sets up the tension surrounding Emily's disappearance quite well.

Eventually, we become privy to the points of view of a couple of the other characters.  This adds even more depth and complexity to the plot.  What secrets have these characters kept?  Are they even telling us, the readers, the truth?  What are they choosing to omit and how much will it impact the story?

This is a book that will well and truly keep you on the edge of your seat.  I finished it in the matter of a few days and found it difficult to stop reading.  There are so many violent turns and rapid twists that I couldn't see what was coming at me around the next bend.  This is the mark of a good suspenseful psychological thriller, is it not?  The characters had layer upon layer of personality and secrets.  It was nearly impossible to trust any of them, even when you really wanted to do so.  I was captured right from the start and drawn into this mysterious world of secrets, lies, and questions.

I'm definitely even more interested in seeing the film adaptation of this book.  I wonder how true to its dark nature they will keep.  From what few previews I've seen, I think the casting was done well, given the descriptions in the book.

I recommend this for those of you who like darker psychological thrillers.  Fans of Gone Girl will really enjoy this one as it makes you question reality and the reliability of the very characters themselves.

Thursday, February 7, 2019

All the Ever Afters: The Untold Story of Cinderella's Stepmother: Danielle Teller

"A LUMINOUS REIMAGINING OF THE CLASSIC FAIRY TALE CINDERELLA, TOLD FROM THE PERSPECTIVE OF AGNES, THE BEAUTIFUL GIRL'S 'EVIL' STEPMOTHER

"Compelling fiction often obscures the humble truth...

"We all know the story of Cinderella.  Or do we?

"As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, a woman who knows all too well about hardship, privately records the true story.  But what unfolds is not the princess's history.  The tale Agnes recounts is her own.

"A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress's apprentice at Aviceford Manor when she is just ten years old.  Alone, friendless, and burdened with a grueling workload, Agnes carves a place for herself in this cold place that is home to Sir Emont Vis-de-Loup, a melancholic and capricious drunkard.

"Using her wits and ingenuity, Agnes eventually escapes and makes her way toward a more hopeful future, serving as a housemaid for the powerful Abbess Elfilda.  But life once again hold unexpected, sometimes heartbreaking twists that lead Agnes back to Aviceford Manor, where she becomes nursemaid to Ella, Emont's sensitive, otherworldly daughter.  Though she cares for Ella, Agnes struggles to love this child, who in time becomes her stepdaughter and, ultimately, the celebrated princess who embodies all out unattainable fantasies.

"Familiar yet fresh, tender as well as bittersweet, the story of Agnes and Ella's relationship reveals that beauty is not always desirable, that love may take on many guises, and that freedom is not always something we can choose.

"Danielle Teller's All the Ever Afters challenges our assumptions and forces us to reevaluate what we think we know.  Exploring the hidden complexities that lie beneath classic tales of good and evil, this lyrically told, emotionally evocative, and brilliantly perceptive novel shows us that how we confront adversity reveals a more profound--and ultimately more precious--truth about our lives than the ideal of 'happily ever after.'"

I picked this book off of the "new releases" shelf at my local library on a whim, though the back of my memory insists that I saw it somewhere in my Pinterest searches and it piqued my interest.  I am a fan of interesting retellings of classic tales, so this one seemed like a good choice.  I love inventive takes and unique perspectives.  However, it is very easy for a book like this to go awry.  We can run into a main character--a villain--who does nothing but justify all of his or her evil actions (which is boring), or there is little-to-no imaginative take on the traditional fairy tale.  This was not the case with Teller's story and I must admit I was impressed.

Readers are immediately thrust into an extremely realistic world of an England ruled by king and, perhaps even more so, church; most people have nothing and live out their short and often tragic lives in serfdom.  They toil as servants or tenants on manors and owe their labors and products to their lord and masters who, in turn, owes his loyalty to the Abbess Elfilda.  Agnes happens to be one of the unfortunates born to a family that cannot support her.  At only ten years of age, she's forced to leave her family's hovel and trek to the manor house in search of a job so she will no longer be the burden or responsibility of her family.  She's given a position beneath the head laundress.  What initially seems like good fortune -- with the promise of food and shelter -- quickly becomes a nightmare as she learns to work and live beneath the cruel thumb of the nasty, gluttonous, slothful laundress.  Agnes quickly learns the politics of the manor house, though she remains somewhat of an outsider.  She works her hands to the bone and survives by the strength of her back and power of her wit.  While employed there for several years, she encounters the lord of the manor, Emont.  His penchant for drinking and disinterest in running the manor earn the derision of other servants.  Agnes, however, feels some form of pity for him.  When he is ill, it is she who is brought in to care for him.  It is clear that Emont trusts her and this affords her some moments where she has a small measure of peace.

This, however, does not stop Agnes from leaping at an opportunity to leave the manor for the Abbey to work for Abbess Elfilda's aging mother.  Through clever machinations, Agnes is allowed to leave and take up the temporary position.  Though it isn't quite what she imagined, she quickly finds her place and discovers that life at the Abbey suits her greatly.  Her joy is short-lived and her decisions land her in a great deal of trouble with the Abbess.  Agnes is forced to leave and, once again, she must find a way to support herself.  Though ingenuity, intelligence, and sheer determination of will, she manages to carve out a new place for herself and attain a measure of comfort.  Happiness, however, is impermanent.  Tragedy strikes yet again; Agnes's life seems to come full circle when circumstances land her once more at Aviceford Manor.  This time, however, she is nursemaid to Emont's infant daughter, Elfilda -- named after her godmother and aunt, the Abbess.  Ella is an odd girl, finicky and withdrawn, unlike any other child Agnes had ever met.  Agnes takes her duties seriously, making sure the child is educated and knows her parents, despite Ella's mother's disturbing habits, hallucinations, and tendency toward manic-depression.  We witness Ella's upbringing at Agnes' hands and it is there that the truth of the "abuses" Ella suffered comes to light.  This book is the epitome of perspective.  To a dramatic, stubborn, spoiled, possibly-disturbed child, any enforcement of rules or authority is perceived as an attack.  Even a small slight quickly becomes enormous in Ella's mind.  These instances build upon one another to create the villain we were taught to believe Agnes was.

The interesting set up of past and present mingling to create a whole story kept the plot interesting.  We learned about Agnes's past and Teller intertwined it with the present in such a beautiful way that witnessing the nuances and correlations kept everything captivating.  Ella's new life at court changes everyone's lot, including that of her stepmother and stepsisters.  Unfortunately, their hardships are not over.  The rumors of Ella's suffering begin as whispers and grow in voracity and ferocity until Agnes and her daughters become pariahs and targets of not only gossip, but threats.  Agnes fears that she will lose everything once more for doing nothing more than trying to be a source of constancy in Ella's otherwise mercurial life.  How are she and her daughters to survive the vipers of court as the looming threat becomes ever greater?  What will they do if Ella -- naturally oblivious to many social nuances -- is not present to protect or defend them?

Agnes uses her history as a form of catharsis during this time.  She doesn't justify all of her actions, but rather uses them as a lens through which we can perceive and understand her more completely.  She admits that she was not always the most loving or affectionate of stepmothers, but I genuinely believe that she tried and did the best with what she could manage.  Her life was one of tragedy and hardships -- something none of her peers at court could possibly comprehend.  In her descriptions of Ella and her daughters, she challenges the traditional conventions and notions of beauty; she demonstrates an appreciation of hard work and having a backup plan.  We realize that there is no such thing as a true villain in any fairy tale.  Something motivated their actions.  Additionally, the hero's perspective isn't necessarily unbiased...

I loved the realism of this story.  If you want Disney's talking animals and glittering magic, then this story is not what you're looking for.  If you want Cinderella set in a realistic time period with believable plot, setting, characters, and (realistic) tragic circumstances, then this book is perfect.  There were more than enough clues and hints at the traditional fairy tale for me to make the necessary connections between the fairy tale and this retelling, but it wasn't overly fanciful.  I actually found it much more insightful than I anticipated.  It was an examination of how we perceive people and their stories, why we believe one person over another (sometimes based solely on appearance and social standing), and how we can really only know someone when we understand their past.  The world is not plainly black and white, so why should fairy tales be so?

I found Agnes to be an excellent narrator.  I loved watching her grow and evolve over the years.  I was struck by her intelligence and perseverance, and I appreciated her ingenuity.  Teller has crafted a unique retelling and one I took great pleasure in reading.

When Gods Die (Sebastian St. Cyr Mystery, Book Two): C.S. Harris


“The young wife of an aging marquis is found murdered in the arms of the Prince Regent.  Around her neck lies a necklace said to have been worn by Druid priestesses – that is, until it was lost at sea with its last owner, Sebastian St. Cyr’s mother.  Now Sebastian is lured into a dangerous investigation of the marchioness’s death – and his mother’s uncertain fate.

“As he edges closer to the truth – and one murder follows another – he confronts a conspiracy that imperils those nearest him and threatens to bring down the monarchy.”

*I wrote this review on 1/21/19.  We're only in February and I've already messed up my monthly reading count for the year!  We've, unfortunately, had a lot of tragic things going on lately and they've yanked me away from any of my simple pleasures in life -- my reading and reviewing being among the most important.  A few weeks later and I'm finally getting around to actually posting this review.  I hope you enjoy this book as much as I did.  I think it's a great addition to the Sebastian St. Cyr series and an excellent segue from the first installment.*

This is the second installment in the Sebastian St. Cyr Mystery series and it fits in quite smoothly with the beginning of the series.  We encounter Sebastian, Viscount Devlin, a few months after the conclusion of his first investigation (and the clearing of his name).  While life has returned to some semblance of normal for Devlin – he’s taken on Tom as his tiger and he’s begun a comfortable (if somewhat secretive) relationship with the love of his life, Kat Boleyn – it cannot last.  While in attendance at a party thrown by the Prince Regent, the guests are thrown into chaos when Prinney is discovered with a beautiful, young, dead woman in his arms.  There are those who would suspect that Mad King George’s insanity is catching – that his heir is just as twisted and addled – but those behind the monarchy do their best to deflect suspicion by insisting the marchioness died by suicide.  By knife.  In her back.

Given the suspicious circumstances, Jarvis invites Devlin to examine the situation and the body; it quickly becomes apparent to the intelligent, observant viscount that the death is not all that it seems to be.  As the investigation begins in earnest, it is obvious that suicide was not the manner of death…and that Devlin’s past may very well have come back to haunt him.

Similar to the first installment, this book is filled with twists and turns that keep you guessing pretty much up until the very end.  The plot is multifaceted and complex, making for a well-paced and exciting read.  The suspects were continually changing and shifting.  I would bet that Devlin was right in his suspicion of someone only to have my mind changed in a chapter or two; then, I would believe someone innocent only to have new, damning evidence come to light.  It was a rollercoaster of a book filled with intrigue, subterfuge, and a nefarious subplot.  Could the Prince Regent have lost his mind and killed a woman who didn’t accept his advances?  Or is there something more sinister afoot – a plot attempting to discredit the monarchy and be rid of the lush, unsteady Regent?  Set against the backdrop of a tumultuous England unsure whether the virus of revolution will spread from France, these are troubled times where danger lurks around just about every corner.

In addition to Devlin (of course), this book also sees the return of Kat and Tom.  Devlin has made Tom his tiger and the boy has taken to his role.  It’s clear how much he admires and appreciates Devlin, and witnessing Devlin’s attachment to the quick-witted lad is touching and humanizing.  He doesn’t play as large a role in this book, but he does manage to help with the investigation – and land himself into some peril.  The romance between Kat and Devlin has blossomed once more in the months between the first book and the second.  I enjoy the degree to which their relationship features thus far in the series.  There’s enough to make us realize the depth of their attachment and passion – to see just how they can be true helpmates to one another – but it doesn’t take over the plot or turn it into a romance novel.  I enjoy their dynamic and the diversity of their backgrounds.  Devlin doesn’t care what society will think of their relationship, while Kat, on the other hand, isn’t willing to risk Devlin’s future by marrying him – not to mention she has a dark secret of her own, one she doesn’t believe he’ll ever be able to overlook.

Overall, I found the plot exciting and fast-paced.  The rapid twists and turns kept me guessing, which, I suppose, is the best anyone can hope for in a book of this genre.  The setting (mainly London) is vivid and richly-crafted, playing to all of your senses, often engulfing you in Devlin’s world and experiences.

One comment I do feel I must make is that Devlin is chased quite a bit in this book.  And by “quite a bit,” I mean “a lot.”  Almost to the point of excessive.  I feel like he made a run for it every couple of chapters.  It wasn’t quite to the point of being inauthentic and I do realize that the plot involved a complex network of some very bad men who would do anything to protect their aim, but it did seem to take up a good amount of the story.  It went something like, “Oh, Devlin is going for a night out.  Oh, no!  Someone is after him.”  A few chapters later:  “He’s following another lead and…he’s being chased again!  Hope he makes it out okay!”  A few chapters later, “He’s off again!  And…he’s being chased.  Again.”  Catch my drift?  Additionally, there was another murder mentioned in this book.  I may have missed something, but it felt very unresolved and almost forgotten by the conclusion.  Maybe it was a set up for another book?  We’ll just have to wait and see!

Overall, this was a very good book.  It has mystery, history, intrigue, murder, complex plot twists, subterfuge, and a touch of romance.  While I will admit that I found the end of the book came on rather suddenly, I still find the book worthy of the read.  I’m particularly excited to see what some of the discoveries mean for Devlin’s own future – and past.  This is worth the read for fans of period books, mysteries, and those who aren’t too squeamish (since this book does deal with a grisly murder and the darker sides of London’s underbelly).