Sometimes I Lie: Alice Feeney

"My name is Amber Reynolds.  There are three things you should know about me:  1. I'm in a coma.  2. My husband doesn't love me anymore.  3. Sometimes I lie.




"Amber Reynolds wakes up in a hospital.  She can't move.  She can't speak.  She can't open her eyes.  She can hear everyone around her, but they have no idea.


"Amber doesn't remember what happened to her, but she has a sneaking suspicion her husband had something to do with it.  Or her sister.  Or maybe both.




"Terrified and trapped inside her own body, she slowly begins to remember a night that changed her life.  Is she in a coma due to an accident?  Is her sister having an affair with her husband?  What happened at work with her horrible boss?  And who is the person who is silently visiting her bedside each night?




"Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, Sometimes I Lie builds into an ending that will leave readers speechless as this brilliant psychological thriller asks, Is something really a lie if you believe it's the truth?"


This was another of my Pinterest finds and it was, once again, a very different choice from my normal reading material.  It's definitely been interesting to branch out and experience new authors and types of stories.


This book definitely plays with your mind and it suits the term "psychological thriller" to a tee.  You are just as lost as Amber as she tries to sort through her damaged mind to figure out how she got into that hospital bed; you experience her last week of normalcy and get a taste for her life before the accident; and you witness the development of a child's mind via the diary entries from twenty years prior.  I won't sugarcoat it:  There are more than a few disturbing moments in this book (then again, would it really be a psychological thriller if there weren't?).  You don't know who or what to believe -- especially because the narrator has come right out and said she can sometimes be a liar.  Whose truth do we believe?  What is reality and what is fiction?  In literature, there can be "unreliable narrators," but what do we do when the narrator outright admits that she's unreliable?  There are so many twists and turns throughout that I had no clue what was coming until it hit me right in the face.


The chapters were short and routinely cycled from Amber's paralytic coma, before her accident, and the diary entries.  Each section had a very unique perspective.  This form of writing kept me captivated because I wasn't bogged down by long chapters (not that I mind them, I just think the format used by Feeney here was particularly well-suited to this type of book).  It kept me on my toes and whetted my appetite for more.  I couldn't wait for what little tidbit or clue would be revealed in the next section.  Being kept in the dark with Amber as the narrator meant we felt her pain and lost what little consciousness she had just as she did; we experienced her deeply troubled mind and past in broken pieces; as well as we learned right along with her slowly-healing memory what had happened to her.  The dark secrets she carefully covered up, the lies which slowly come to light, all serve to craft a very deep, dark, and infinitely complex narrator.  So much lies beneath the surface that the differences between fact and fiction become blurred in such a way that even reality sometimes feels like one of her troubling coma-induced dreams.  Rather than more answers, we're often left with more questions as we get deeper into the story; which is, of course, the perfect thing to get a reader to devour a book in a short span of time.  This happens quite a bit in the old diary entries and some of those happened to be my favorite sections.


Characters who seemed normal and/or reliable were rarely so.  Whether it was Amber's paranoia or her hyper-perceptive nature, we're never quite certain.  Her husband, Paul, is a great source of anxiety for Amber.  A great deal of the sections taking place before the accident revolve around her belief that he is having an affair; it's hinted quite strongly that his affair is with Amber's sister, Claire, which could be a reason why Amber seems to have a great deal of anxiety when it comes to her.  However, it's not until much, much later in the story that we realize the true source of this anxiety and mistrust...and the revelation is frightening on so many levels.  What we believe to be jealousy of Claire -- her perfect appearance, how she always seems to be one step ahead of Amber on life's journey even though she's younger, and how Claire was able to give her husband children (even if she had to go through IVF) -- turns out to be something much darker.


The writing, itself, is masterful in the sense that Feeney never reveals too much.  She waits for the exact moment to reveal a hint and then promptly never mentions it again until all of the pieces finally come together at the very end.  I kept finding myself wondering how all of those pieces could possibly fit in a satisfying way, but it ended up working in such a way that I had to sit back and think to myself, "Wow...that was one hell of a ride."  I was kept captivated by the style and careful glimpses of clues, which is perfect for this genre.


I will once again caution you that this book is dark and parts are very disturbing -- it's certainly not for everyone.  There are some very intense scenes, twisted themes, and very troubled characters.  This isn't a traditional mystery:  Of course, we don't know "who done it," but there is so, so much more to this book than that -- especially because the "victim" is alive...and she's also the unreliable narrator.  ***SPOILER:  There are scenes of rape, stalking, and violent murder.  I suggest staying away from this book if you're squeamish about any of those things.***  I recommend this book if you're not afraid to try something new and experience an author who will have you on the edge of your seat.  Feeney hasn't had many books published as of yet, but I expect that we'll be seeing a great deal more of her in the future.  Happy reading!


SIDE NOTE:  I'm excited because I just realized that this book technically fulfills my "book set at Christmas" requirement for my 2018 reading list!  You can find the reading challenge HERE.

Mortal Arts (Lady Darby Mystery, Book Two): Anna Lee Huber

"Scotland, 1830.  Lady Kiera Darby is no stranger to intrigue--in fact, it seems to follow her wherever she goes.  After her foray into murder investigation, Kiera must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care.  But the city is full of many things Kiera isn't quite ready to face:  the society ladies keen on judging her, her fellow investigator--and romantic entanglement--Sebastian Gage, and ultimately, another deadly mystery.




"Kiera's old friend Michael Dalmay is about to be married, but the arrival of his older brother--and Kiera's childhood art tutor--William, has thrown everything into chaos.  For ten years Will has been missing, committed to an insane asylum by his own father.  Kiera is sympathetic to her mentor's plight, especially when rumors swirl about a local girl gone missing.  Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend--and save the marriage of another..."




I was thrilled to find that my local library carried the second book in this series.  I'd initially begun to read another, but it's on loan from another location and the due date is fast approaching.  Rather than get too entrenched in a book I knew I'd have to return well before I was finished with it, I made the decision to, instead, pick up this book.  The first in this series was so wonderful and exciting that I came into this reading with very high hopes and expectations.  Though I'm only a few chapters in thus far, I have to admit that I am not disappointed in the least.  The vivid descriptions and very realistic characters remain.  We're introduced to the Dalmay family and the dark secret they've been hiding -- which also happens to be particularly poignant and relevant even though the plot takes place almost 200 years ago.  I'm looking forward to seeing what this book has in store and experiencing all of the twists and turns along with Kiera.




***


I'm nearly halfway through this book and I can safely say it's just as enthralling as the first book in this series.  I'm so happy I stumbled upon Huber in my endless Pinterest search for unique reading material.  I am still very much enjoying the complicated, simmering dynamic between Gage and Kiera.  The plot, itself, is filled with tension, mystery, secrets, and intrigue.  As with the first book, the setting really breathes life into this story.  Huber has made Scotland into a stunningly beautiful backdrop as wild and fascinating as her characters.  By contrast, the scenes which take place indoors are artfully crafted and really draw me in.  I love a rich setting and Huber has not disappointed.


There are already a great many layers to the conflict and I'm looking forward to seeing how this all plays out.  There are a number of characters involved -- similar to the first -- and I have a huge amount of anticipation for what lies around the next corner.  I can't wait to see what shocks Huber has in store.




***


I finished this book over the past weekend and I ended up flying through the remaining chapters.  There were indeed the twist and turns I suspected from another Lady Darby Mystery.  The simmering romance between Gage and Kiera -- while not the main plot (this is not technically a romance novel) -- is a delicious bit of underlying tension further complicating an already very serious situation.  Their banter is quick, displaying the depth of both of their intelligence, and their companionship is extremely enjoyable.  I'm impressed with how Huber has managed to create such a subtle thread of romance and so successfully continued it from one book to the next; continuing it in such a way that it's not in the forefront, and yet, readers devour it with anticipation.  It adds another note of tension to an already tense book.


The progression of this mystery is quite artful.  We are drawn into the story by our history with Kiera, her family, and Gage; however, we remain captivated by the depth and uniqueness of the plot.  I will admit that I was hoping this wouldn't turn into an episode of "Scooby Doo" where the plot is extremely similar, only the face of the villain has changed (e.g. there was another gathering of guests at a house and Kiera and Gage had to sort through a bunch of possible perpetrators in order to find the true villain).  As soon as we become more aware of the plot and prominent characters, we learn just how unique the plot really is.  Huber deals with some VERY heavy topics and, I feel, writes with a blunt eloquence which accurately displays the tragedy of Will's situation.  I couldn't help but feel a great deal of empathy for him, even when some of the evidence began to point in his direction.  To me, he was the very definition of a tortured soul.


I suspected the villain and "nefarious plot" about halfway through the book; the fact that Huber kept me enthralled and wanting to confirm my supposition is wonderful.  There were still some twists and turns to keep me on my toes.  I'm a particularly careful reader, so I don't think everyone will come to the same early conclusions that I read.  Huber writes as I believe a mystery writer should (though I don't profess to be a very seasoned writer of this genre):  She reveals just enough that a reader is engaged in discovering the clues right alongside the characters, but a very observant reader just might be able to make some educated guesses a bit earlier on.  This makes for a very engaging, rewarding read.


I won't give away the ending, but I will say that we're left with just enough of a tantalizing hanger that I'm extremely excited to pick up the next in this series.  The setting is going to change and I look forward to seeing how Gage comes back into Kiera's life...and what dangers lie ahead.  I am absolutely in love with this series.  It's a brilliant "bridge" for any reader curious about making the transition from romance to mystery, or even the other way around.  The period setting is fantastic for anyone drawn to this era of romance novels.  The characters are passionate, intelligent, fiery, unique, and lively.  The plots are captivating.  The undercurrent of romance between Kiera and Gage is fantastic and, while important, doesn't overtake the main plot of the story.  I hope you enjoy it as much as I did!

I Was Anastasia: Ariel Lawhon

"In an enthralling new feat of historical suspense, Ariel Lawhon unravels the extraordinary twists and turns in Anna Anderson's 50-year battle to be recognized as Anastasia Romanov.  Is she the Russian Grand Duchess or the thief of another woman's legacy?

"Countless others have rendered their verdict.  Now it is your turn.

"Russia, July 17, 1918:  Under direct orders from Vladimir Lenin, Bolshevik secret police force Anastasia Romanov, along with the entire imperial family, into a damp basement in Siberia where they face a merciless firing squad.  None survive.  At least that is what the executioners have always claimed.

"Germany, February 17, 1920:  A young woman bearing an uncanny resemblance to Anastasia Romanov is pulled shivering and senseless from a canal in Berlin.  Refusing to explain her presence in the freezing water, she is taken to the hospital where an examination reveals that her body is riddled with countless, horrific scars.  When she finally does speak, this frightened, mysterious woman claims to be the Russian Grand Duchess Anastasia.

"Her detractors, convinced that the young woman is only after the immense Romanov fortune, insist on calling her by a different name:  Anna Anderson.  As rumors begin to circulate through European society that the youngest Romanov daughter has survived the massacre, old enemies and new threats are awakened.  With a brilliantly crafted dual narrative structure, Lawhon wades into the most psychologically complex and emotionally compelling territory yet:  the nature of identity itself."

This is the book I started reading at the tail end of my vacation (it was also the last one I'd brought with me, so I am sort of grateful that I didn't fly right through it or I would have been lost).  Once again, I have Pinterest to thank for my reading material.  The algorithm it uses to come up with recommendations really is very impressive; more often than not, it seems to be able to really pick up on what my tastes gear toward and come up with books I may not have chosen for myself, but would more than likely enjoy.  This book popped up a number of times (even after I pinned it) and I came across it at my local library, so it felt a bit like fate.

I've always been fascinated with European history (more so British history than anything else) and there's just something captivating and tragic about the Romanovs.  I even enrolled in a Russian history course during my undergraduate studies (which was amazing, by the way -- in part because I was also able to learn quite a bit about the country from which most of my family originates:  Lithuania) and I found it absolutely fascinating, especially when it came to the revolution.  I grew up watching the animated film Anastasia (one of my cousins is even named "Anastasia"), so I have always been around the story of the Grand Duchess and her ill-fated family -- even in my British history studies because her mother was a granddaughter of Queen Victoria.  It was not until somewhat more recently that I was exposed to the story of Anna Anderson, the real-life woman who claimed to be THE Anastasia.  Every so often (thank you, internet, for tracking my history...), an article will pop up in my Facebook feed about Anna and her grand claims and mysterious background.  I won't give away what I have learned from these articles, but, rather, will stick to the context of this book.




I'm currently about a third of the way through this book.  It has a very unique narrative style, bouncing back and forth from Anna to Anastasia.  It transcends the decades in less than chronological order (at least for Anna) and it can be difficult to follow at times, but it is so very much worth it.  The intricacies and nuances I've been able to catch thus far are captivating.  We begin with an unnamed narrator cautioning us that conveying her story will only pass along its burden, though we continue onwards regardless.  This is followed by Anna making a last-ditch effort to remain in America before her visa expires and it is after this that the meandering hallways of Anna's memories are revealed.  We are given the distinct impression that she's a credible narrator because of the details she provides and the lengths to which she's been willing to go -- the sacrifices she's been willing to make -- in order to prove her identity.  We see how other people have tried to use her, either for monetary or notoriety gain; how she has been touted as a lost princess or sneered at as an imposter.




However, I think my favorite parts thus far have been Anastasia's point of view.  The Romanovs are often portrayed as spoiled and aloof -- totally out of touch with reality and the things they should have handled as the Russian royal family -- and I'm not disputing that they were not; however, it has been very interesting to read a different perspective.  Told from Anastasia's point of view, these sections offer a very intimate look into the Romanov family and behind closed doors.  Their confusion and fear were palpable entities during their downfall and subsequent transportation to Siberia.  You feel sympathy for a family which is, more often than not, shown to be completely detached from reality.  The details Anastasia is able to capture, her determination and will are astounding for someone so young and in such a dire situation.  It's all written beautifully and it really immerses you in this world of turmoil and upheaval experienced by Anastasia and her family.


I'm looking forward to seeing how all of this progresses.




***


I'm now 2/3 of the way through this book and the tension is definitely heating up.  The narrative style is so successful and captivating, with Anna and Anastasia's perspectives playing out with different narrators and their timelines creeping ever closer.  I find myself speeding through because I want to get to the point where their stories/timelines collide.  What will we discover?  What is the truth?  In a backwards fashion, we learn how Anna came to be in America, all of the times she'd been exploited or vilified, how she'd come to survive off of her infamy.  How the surviving Romanov family members had attempted to buy her off and why they did so.  With Anastasia, we witness the treatment of the imperial family under the revolutionaries and then the Bolsheviks.  We see how they were taken down more than a few notches (perhaps several hundred notches, to be honest) in an effort to rub their noses in reality.  The subtle ways in which they'd been sheltered, even in captivity.  There's even a little bit of sweet romance between some of the captors and captives.  Anastasia's first-person perspective portions remain my favorite parts of this book.  Her personality is spunky and her will to survive is admirable.  History tells us that the story does not end well for the Romanovs, but I'm still looking forward to seeing what the last part of the book has to offer, and I consider this a great feat of writing.


***


I finished this book a few days ago and I'm happy to finally get around to finish my review.  Completing a book in a matter of a few days is no great feat for me (in fact, this one actually took me a bit longer than normal because of my hectic schedule and trying to get back into the swing of things after vacation), but I do consider it notable when there are specific reasons that I simply cannot put a book down.  While the book, as a whole, is extremely interesting and captivating, the latter half is so brimming with suspense that you're practically salivating for more.  You HAVE to know if Anna is Anastasia.  So many times over I thought I'd had the plot figured out; I believed I'd discovered Lawhon's aim.  I was wrong so many times over.  The beauty of this style of writing (with two perspectives beginning decades apart and then creeping inexorably closer, gradually building the tension while it reveals tidbits of information and carefully omitting others) is that you know where the story ends up, you're just not sure how it got there.  And, in this particular story, that makes all the difference in the world.  This style is what makes this book unique and such a fascinating read.  It could have just been yet another historical fiction providing hope for those who believe that, surely, someone must have survived what history can only categorize as a massacre of the royal family.  The writing is so poignant and it resonated so deeply with me that I was completely absorbed in the story (woe to my husband who kept trying to interrupt the last few chapters despite the fact that I told him I just wanted to finish my book...).


Anastasia's portions of the story remained my favorite, though I do think that Anna's became even more interesting as the story progressed.  The impact of the surviving Romanov family members upon her life was of particular interest to me -- their desperation to quell Anna's claims and collect the Romanov inheritance.  I thought the way in which Lawhon managed to get the readers to sympathize with Anna while retaining the sense of mystery and uncertainty about her was artful.  There were a couple of Anna's portions which dragged on just a bit; however, having finished the book, I can say that pretty much every single detail was required to further the reader's belief/disbelief.  One must take this book as a whole rather than two separate stories which happen to be contained in the same book.  There are nuances and details woven with such care throughout, creating an epic interconnected story.


Anastasia's perspective was dramatic and vivid.  Having completed that aforementioned Russian history course, I'm familiar with the ways in which the Romanovs were treated after their fall from grace.  Yes, they were a royal family vastly out of touch with reality, but does any human being really deserve to be punished thusly?  Anastasia's companionship with Tomas provided much-needed tenderness in her dark, disparaging world and I found the details to be very sweet.  The book had the potential to become far too heavy without this.


Overall, this was a fascinating read with a unique structure to it, which, I felt, makes it so successful.  It definitely helps if you know and understand a little bit of Russian history to truly appreciate why the revolt took place, but it's not necessary to know everything since Lawhon does such a good job of explaining it as the story goes along.  I definitely recommend this to anyone who is a fan of historical fiction or is looking for a book with a different setup than your run-of-the-mill chronological timeframe.  As the information above indicates, this book really is a psychological journey.


***Side Note:  I discovered that Lawhon is another Nashville author -- another happy coincidence.  I ended up (unintentionally) taking books by two different Nashville authors on my trip to that city.

Lady of Conquest (Brides of Legend, Book Two): Teresa Medeiros UPDATED

 “He is called Conn of the Hundred Battles, the warrior-king who forged a nation from a land of isolated clans.  As High King of Ireland, he rides with the legendary Fianna, his elite band of warriors.  But a threat to the throne looms from a mysterious scourge who has vanquished several of Conn’s bravest warriors.  Conn rides out alone to face a seemingly invincible foe, never expecting that he will confront a grief-maddened hellcat with emerald eyes and hair like liquid flame….

 

“Wielding a sword called Vengeance, Gelina O Monaghan has sworn to defeat the man she holds responsible for her family’s ruin.  She never dreamed she’d be bested by him in combat…and lose her heart in the bargain.  Their forbidden passion will become a private war fought with swords and kisses, promises and betrayal—and surrender will be only the beginning….”

 

In addition to this being yet another book I finished on my vacation (believe it or not, it was only a week long), this is another re-read of a book I read quite some time ago; the original review can be found HERE.  Everyone here knows I’m a fan of Teresa Medeiros, but reading this book again only solidified my belief that I absolutely lean toward her newer works than her older ones.  Much like the first book in this duo, Shadows and Lace (the original review for which can be found HERE and the updated review can be found HERE), I didn’t end up a huge fan.  In hindsight, I think this was due in large part to the era in which these books were penned (thank you 1990s).  These books both had volatile, controlling relationships between the male and female leads.  There is a great deal of violence in this book -- yes, that includes violence Conn directs toward Gelina; yes, that includes physical violence.  I don't condone this in anyway, but I can see why it was a part of this story.  It, essentially, stayed true to the role Conn would have played during this time period, as well as the social mores of this era.  He was expected to be physically powerful and probably wouldn't have thought too much about demonstrating that power in a physical way.  That being said, here's a bit of a SPOILER:  There is a rape scene.  As a matter of fact, nearly all of the physical encounters between Conn and Gelina are rape-ish.  It feels so much less romantic.  There's a fine line between a male lead being powerful and breathtakingly masculine and being a brute to caves to his baser, more violent desires.  He ends up using sex as a weapon, and I found this a bit off-putting.  I noted it in my original review ten years ago (wow...I can't believe it's been that long), but this time around it made the story a bit of a struggle at times.  I chose not to re-read my original review prior to picking up this book again and I'm glad I didn't because it probably would have made me hesitant to read it.  END SPOILER

I liked Conn in the beginning; he seemed to be a good man and a good king.  He was powerful when he needed to be and merciful when necessary.  I would, however, have liked to see his perspective a bit more -- especially near the beginning of the story after we meet Gelina.  As soon as we start seeing Gelina's perspective, she seems to sort of overtake the narrative.  (This happened in Shadows and Lace, as well.)  I think it would have helped me to understand his motivations and appreciate his mercy a little bit better.  We discover that Gelina knew Conn when she was a child and how she admired him, but we don't really get to see those memories from Conn.  As the story progresses, I liked Conn less and less.  His desire for Gelina (a young woman who was supposed to be his ward) was powerful and consuming, but it takes him a painfully long time to accept his feelings.  When I say painful, I mean it.  I think this was because I didn't quite understand his hesitation.  She wasn't related to him in anyway and she was certainly putting out vibes that she was attracted to him and loved him.  He mentions the difference in age between them, but I don't think that should have been as big a deal as it was made out to be.  Then again, we're not given any good clues as to Conn's age (we find out pretty early on that Gelina is about sixteen) until nearly the end of the book.  By this time, a few years have passed and she's somewhere around eighteen or nineteen and I guess that he's about thirty-six.  There's such a big fuss over their ages, but in Ninth Century Ireland, I don't think it would have been as big a deterrent as Conn made it out to be.  Perhaps he was just making excuses and being stubborn?  (Again, a similar thing happened in Shadows and Lace.  Are we seeing some trends here?)

Gelina is as feisty as I remember.  She's brave -- if a bit rash -- and strong-willed enough to survive the had she's been dealt and to live in Conn's court beneath his oft-wavering moods and loyalties.  This was probably one of the most frustrating things because (since we see so much of her perspective, we know just how much she cares for Conn.  To see his lack of faith and trust in her is difficult to witness.  There was a cyclical pattern to her relationship with Conn (again, see Shadows and Lace).  Because the story is dragged out across several years instead of a snippet in the characters' lives, there is ample opportunity for them to fight/have a falling out/Gelina runs away or is sent away/Conn goes and retrieves her.  This happens more than a couple of times.  This certainly ups the dramatic tension, but it left me wanting more development of Conn and Gelina’s relationship.  All that time apart (for various reasons) can create bittersweet longing, but you also lose all of the closeness the characters could have been developing in the meantime.  Not to mention it hurt my opinion of Conn that he would have such little faith in Gelina.  I totally get that the circumstances of their meeting were less than ideal and he would have been well within his rights to kill her, but years have passed without her betraying him.  Cut the girl some slack!

As usual, there were some colorful secondary characters who really served to develop the plot and show us a side of Conn and Gelina that would have otherwise remained hidden.  The best example of this is Nimbus.  He was funny, witty, and irreverent.  While he got s little bit goofy at times, I enjoyed him nonetheless.  He provided a good outlet for Gelina’s childlike wonder and allowed Conn to have a sense of humor.  He also happens to become the source of one of the greatest conflicts between Gelina and Conn, though I won’t give this plot twist away.

Having a tangible villain in Eagon was a wise choice because it gave the story an outside source of conflict other than just what existed between Conn and Gelina.  It helped to place their story within a much larger framework of history, which is something I really appreciate.  Medeiros does this in some of her other books and, being the British history nerd that I am, I appreciate this touch.

In all, this was a well-written book (I always appreciate her writing style) and her descriptions of the scenery and characters are vivid and really help me escape into her books.  There were, of course, aspects of this particular story that I didn’t care for and this book will not be for everyone.  It’s a long read (though it only took me a few days) due to the timespan over which it takes place, though it’s interesting to see Gelina grow and change over the years.  Parts of it are frustrating (why can’t Conn just give into his feelings already?!) but other parts are tender.  There are moments of violence which literally made me cringe, but I persevered.  As part of a body of work, I recommend reading this book – even if you’re only curious to see how Medeiros has changed and developed her style over the years.  The comparison is a very interesting one.  This book was not really my favorite, but I am glad that I re-read it.

Hello Stranger (The Ravenels, Book Four): Lisa Kleypas

“A woman who defies her time

 

“Dr. Garrett Gibson, the only female physician in England is as daring and independent as any man—why not take her pleasures like one?  Yet she has never been tempted to embark on an affair, until now.  Ethan Ransom, a former detective for Scotland Yard, is as gallant as he is secretive, a rumored assassin whose true loyalties are a mystery.

 

“A man who breaks every rule

 

“As a Ravenel by-blow spurned by his father, Ethan has little interest in polite society, yet he is captivated by the bold and beautiful Garrett.  Despite their vow to resist each other after that sublime night, she is soon drawn into his most dangerous assignment yet.  When the mission goes wrong, it will take all of Garrett’s skill and courage to save him.  As they face the menace of a treacherous government plot, Ethan is willing to take any risk for the love of the most extraordinary woman he’s ever known.”

 

This is yet another book I took with me on my vacation (hence the quick succession of these reviews).  This is the newest installment in the series and I think I may have enjoyed it the most.

 

We were introduced to Garrett in two of the other books (if memory serves me) and she was always portrayed as cool, calm, intelligent, and no-nonsense.  It was nice to see another side of her in what is truly her love story.  I had a feeling Ethan would be her counterpart based on a few of their interactions in other plotlines, and I was certainly not disappointed.  I’ve said it before and I’m sure I will say it a thousand times more, but I love a strong female lead.  Garrett fit the bill.  Sometimes, female characters will tend to soften overmuch when they find their “missing piece,” but Garrett, in my opinion, remained strong throughout.  I admire her dedication to her craft, her father, and her desire to maintain the intense persona she’s created, despite the opposition she faces.  She can be a bit abrupt and abrasive, but that ends up making her unique and, dare I say, even a little bit charming.  I enjoyed getting to learn more about her background and how she came to be the woman she is (and I appreciate her even more because Kleypas based her off of a real woman).  The depth of emotion Ethan felt was, I think, one of the things that really made this book special.  He was so clearly in love with Garrett and had been for some time.  He found her beautiful, but he admired her for so much more than just her looks.  His life was terribly difficult and it made him unforgiving in some ways, but he didn’t lose all of his humanity.  He and Garrett save one another in so many different ways and on so many levels.  They turn out to be excellent counterbalances in their own unconventional ways.  Their banter is amusing and we really get to see their relationship blossom in such a fun way.

 

Through it all, there’s an ominous undercurrent of a political and terrorist plot which Ethan knows he might give his life to stop.  Though he resists dragging Garrett into this underworld, she is determined not to let him go—not when she fought so hard to let him into her life.  They are continually drawn to one another like magnets; though they may separate, they will inevitably collide once more.  And when they do, sparks will most certainly fly.

 

Ethan’s relationship with the Ravenels changes completely when he’s in his most desperate time of need and this truly allows West to shine.  Always a secondary character, he’s a prominent male Ravenel and a reformed London lush.  He has a fantastic sense of humor and provides an endless source of amusement and acerbic wit.  (To be honest, I enjoyed him far more than I did his elder brother in the first book in the series.)  We really get to see a lot of him in this book and I think that helped Ethan to come around more to the Ravenel side of his heritage.  There were some hints about a mysterious love interest for West and I sincerely hope that this is true and that his book is the next one I have to look forward to.

 

As always, Kleypas writes with a certain elegance and wit which mark her books with a unique voice.  Both the settings and the characters are vibrant and lively.  The romance is filled with exquisite tension and longing.  Again, this is probably my favorite book in the series, so it only stands to reason that I recommend it.  I hope you enjoy it as much as I did.

The Anatomist’s Wife (Lady Darby Mystery, Book One): Anna Lee Huber

“Scotland, 1830.  Following the death of her husband, Lady Kiera Darby has taken refuge at her sister’s estate, finding solace in her passion for painting.  But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes.

 

“Kiera wants to put her past aside, but when one of the houseguests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent.  While Gage is clearly more competent than she first assumed, Kiera isn’t about to let her guard down as accusations and rumors swirl.  When their search leads them to even more gruesome discoveries, a series of disturbing notes urges her to give up their inquiry.  But Kiera is determined to protect her family and prove her innocence, even as she risks becoming the next victim…”

 

This book was another Pinterest find and I devoured it in the matter of a couple of days on my vacation (I read a lot…).  I wish I’d had the opportunity to do some of my RAIR (reviewing as I read) process, but, alas, my memory will have to serve here.

 

I’ve been on a bit of a kick with new genres/authors/subjects and this one looked right up my alley—especially with my tendency as of late to be drawn toward anything remotely Sherlock-esque (just take a look at my Pinterest account).  I was right.  This book was AMAZING!  Anyone who even spares a glance at my reading history will instantly realize that I gear toward period books (specifically 1800s Great Britain).  Not only was the setting perfect for my tastes, but I have a think for quirky, intelligent female leads.  What I didn’t expect to find was a very palpable romantic undercurrent—what a pleasant surprise!!!  This made the book perfect for someone with similar tastes to mine, but wants to branch out into other genres (it’s a good “segue”).

 

There are murder and intrigue, tension and mystery, elegantly crafted settings and vibrant characters.  There’s a rich backstory which seamlessly collides with the present setting of the book, creating powerful clashes and intense tension.  Kiera, herself, is an extremely strong character—an excellent female lead.  She is witty and fiery, all while retaining something uniquely feminine that one would expect of a well-bred woman of this era.  She’s also extremely talented and intelligent, things which other guests at the house party overlook in favor of their own prejudices.  She navigates their malice and suspicion with enough strength and determination to make any reader proud.  Her sister and brother-in-law are well-developed, excellent secondary characters.  Amidst the turmoil following the murder of one of their houseguests, they suffer their own concerns and fears, which is a good part of Kiera’s intense determination to solve the mystery (along with her understandable desire to clear her own name).

 

We are first introduced to Gage as a handsome rake of a houseguest whom Kiera looks down upon for his dissolute ways and—seeming—claim to fame while riding his father’s coattails as a prominent investigator.  Along with Kiera, we soon learn that not all of the hype is for naught.  While Kiera assists in the investigation, the two of them come to an uneasy truce of sorts, both of them bringing their own set of talents, knowledge, and strengths to the table.  It turns out that Gage is not quite who Kiera expects him to be.  Were this a “traditional romance novel,” he would be considered the male lead; however, this is not your average book and it’s not your average story.  The narrative style lends to a certain sense of mystery about Gage and the other characters and this was a refreshing point of view.  It keeps the tension (both romantic and otherwise) very high and makes it nearly impossible to put this book down.  The attraction between Gage and Kiera becomes nearly as palpable as another person in the room as they work together to solve the gruesome crime.

 

All of this is set against a stunningly crafted backdrop of the Highlands.  Kiera’s sister’s home is a beautiful castle nestled in the striking wilds of Scotland; the characters are surrounded by the natural beauty and wonder of the place, lending an air of beauty to an otherwise rather dark novel.  I appreciate very little more than I do a good setting and this book certainly delivered.  For me, at least, the mark of a good book is one where I become utterly immersed in the setting, characters, and plot.  A bad or boring setting will only throw the veil off of the imagination (perhaps even more so when the narrator is first-person; there’s nothing more difficult when one cannot picture herself in the narrator’s shoes).

 

I absolutely, wholeheartedly recommend this book.  It’s a mystery filled with intrigue, gruesome murder, and nefarious plots, all with twists and turns that kept me guessing.  The setting and the characters really make this story something special.  While it’s absolutely a mystery, there’s definitely enough romance in it for someone looking for a bit of a different dimension to this genre (or for someone like me who is more used to reading romance than mystery and needs a way to help her “branch out.”)  This is a period mystery with all the tension and drama one could hope for.  I am tickled pink that there are more books in this series and I’m looking forward to seeing more of Lady Darby and Gage.

 

Side Note:  I didn’t realize it when I picked up this book to pack away for my vacation that Huber resides in Nashville, Tennessee.  This just so happens to be where I went on my vacation, so it seemed rather apropos.  What a happy coincidence!

Twilight Desires (Morgan Creek, Book Three): Amanda Ashley

“Sofia Ravenwood was once fascinated by vampires—their seductive power, their inhuman strength, their dark desires.  Then one of them attached her family, and she threw out her goth attire and vowed to keep clear of her enemies. Until she heard about Ethan Parrish:  a sweet, sizzling-hot former college football player, turned into a vampire against his will.

 

“Wandering the deserted streets of Morgan Creek, Wyoming, Ethan’s sure he’ll be alone forever—a monster like him deserves nothing else.  Then beautiful, complicated Sofia agrees to meet him, fangs and all.  The need she ignites in him is more than just the pulse of her blood or the scent of her skin.  But he’s not the only bloodsucker desperate to make her his own…”

 

Here we are!  This is Ashley’s third and newest installment in her Morgan Creek series.  *In the name of full disclosure, I did receive an advanced copy of this book directly from the author, herself, in exchange for my honest review.*  The book’s official release date was August 28, 2018 (though the cover of the copy in my possession states it'll be available in September of 2018), but, knowing I review books and have reviewed her books in the past, Ashley reached out to me and kindly offered to send an advanced uncorrected proof to me.  I, of course, was happy to read it.  I did, however, first need to read the preceding two books in this series!  If you’ve read those recent reviews, then you’ll know I had some mixed feelings.  I liked some of the characters and really appreciated the uniqueness of the plot surrounding the location of Morgan Creek, itself, but some things didn’t strike me as outstanding.  I’m definitely looking forward to seeing what this book has to offer.  We were introduced to both Sofia and Ethan in the second book in the series (Sofia is Micah’s younger sister and Ethan is Holly’s cousin) – more so Sofia than Ethan.  From what I already know about them, Sofia is a bit of a spitfire and Ethan has no qualms about giving Saintcrow, his sire, any attitude or lip.  I’m looking forward to seeing how Ethan’s dynamic plays out with the other vampires in Morgan Creek – especially because he’s always believed in vampires and hated them so much – and I’m really hoping we continue to see Sofia’s attitude and spunk.  I have felt that the biggest thing this series has been lacking is a really unique, standout female lead; I’m really hoping Sofia can accomplish this task.




***




I'm about 75 pages into this book after starting it last night.  It's a much easier read and I like the pace of the story; I think Ethan's confusion and frustration coming to terms with his new life as a vampire is well-written.  So far, Sofia does seem better developed than the other female leads I've encountered and I hope it continues.  It feels like she really does have a life of her own and, while some of her attitudes and behavior is a bit immature, I think it suits her age well (she is, after all, only 19).  Ethan has an attitude and a bit of a death wish.  I like seeing a change in him when he's around Sofia.


However...Sofia has a feels "her heart swell with love" 31 pages into the story...thirty...one...pages...(Ashley 31).  I found it unbelievable and unrealistic, especially because she and Ethan had only met a couple of times at that point.  It almost makes me wonder if that was a hiccup in the writing because there haven't been any mentions since then.  One other hiccup is the fact that Ethan keeps taking her to bars and out for drinks (she likes tequila sunrises)...but she's only 19.  I am not upset over the fact that she's underage-drinking, I just can't quite figure out how it's so easy for her to get a drink absolutely everywhere they go.  Ethan hasn't even considered that it might be more difficult to take a 19-year-old out to a bar.  Granted, Ethan does most of the ordering, but no fake ID has been mentioned and no one's bothered to card her.  It's just a little too easy, almost as if we (conveniently) forgot how old she actually is.




Some moments have felt a bit scattered and contradictory.  POTENTIAL SPOILERS:  The scene where Mateo uses a human henchman to kidnap Sofia seems a bit random and ill-planned; on top of the fact that I'm not really sure why he had Sofia locked in a basement while he fed on another woman he'd kidnapped.  It seemed like a lot of trouble for not a lot of real reason.  The biggest issue I've taken thus far is with Ethan's very irrational, mercurial mood in Chapter 10.  I get being upset because Sofia hasn't called; however, he'd just had a wonderfully productive planning meeting about the changes he wants to make to Morgan Creek.  He seemed to be getting exactly what he wanted.  From one sentence to the next, Ethan transforms into a self-loathing, suicidal maniac willing to do whatever it takes to get Saintcrow to come and put him out of his misery.  It felt very sudden and I actually had to put the book down and wonder, "What the heck just happened here?"  We'll see how this progresses.




One other little plot hole I feel the need to mention:  Earlier in this review, I state that Ethan always hated vampires.  This statement stemmed from Holly's statement in book two that, when Ethan was a child, he always used to carry around objects to ward off vampires.  Last night when I was reading, Ethan indicated that he'd never really believed in vampires.  Hm.




***


I finished this book just over a week ago; however, I was in an airport on my way out of state (sans computer), so I didn’t get a chance to finish my review on this until this morning.  I ended up liking Ethan a good amount and I liked Sophia more than I’ve liked other female leads in this series.  I particularly liked the conflict between Ethan and Sophia’s older, rightfully-protective brother (and vampire), Micah.

I do have to say that I found the romance to be a bit hasty.  (***Minor spoiler:  I found the marriage between Ethan and Sophia to be pretty rushed.  I get excitement and all that, but it was borderline unbelievable.  I found their attraction to feel more natural than their actual love, if that makes any sense.***)  However, I liked their banter and the sparks between them.  I think their romance felt the most realistic to me of all of the three books I’ve read in this series.

There was a decent villain in this book in the form of a vampire who wanted to bring Morgan Creek back to its “glory days” when wandering humans were kept captive by a coven of vampires.  However, I kept waiting for more like-minded vampires to join in the fight and give Ethan and Saintcrow a better run for their money (on top of the fact that I expected Saintcrow to call upon Micah when the proverbial shit really hit the fan and Kadie went missing.  It felt strange that a vampire so in love with his mate wouldn’t call upon every single resource at his disposal when it came down to it.  Who cares of Micah and Holly were on what would technically be their second honeymoon (they went to New York first at the end of their book)?  That felt a bit odd to me.)  These like-minded vampires were hinted at and I kept waiting for something to happen with them, but it never did.  The greater threat came into play with the introduction of another supernatural being:  a witch.  There were a couple of them in this book and I would say (from my relatively limited knowledge) that they were pretty “purist” as well, which sticks nicely with the rest of Ashley’s writing.  Even though there was more tension in this book with the variety of conflicts and some decent “bad guys,” I still found myself longing for the big knock-down, drag-out battle scene.  I know if I were Saintcrow, I’d want revenge in the worst way.  Nothing would be able to stop my desire for blood; my own safety be damned.  The way this was handled made him seem a bit more fragile than one would expect from a master vampire.  I feel like I’m spending quite a bit of time on Saintcrow in this review and he’s not even the male lead.  I think this is because the series really does revolve around him.  Another reason is probably because I like him more now than I did in even his own book.  I feel like I really got to see the charm, wit, and acerbic sense of humor/sarcasm that I didn’t quite get to experience earlier.  I love it when characters develop and Saintcrow has done so.  ***Minor spoiler:  Also, the whole walking in sunlight thing was VERY convenient and I’m not too sure I cared for it.  The rest of Ashley’s vampires are very “purist” and that’s something I truly respect, so perhaps this is what rubbed me the wrong way.  I may have forgiven it for Saintcrow, but as soon as Ethan was allowed to do so, that killed it for me.  What goes hand-in-hand with this is my opinion that Saintcrow seemed overly generous with his master vampire mojo.  He let Micah drink from him, thereby instilling in him heightened powers; he drained Ethan again and let him drink, affording him additional powers and abilities (like walking in sunlight).  I feel like these were things that he should have kept very close to the chest, regardless of circumstances or who the other vampires were.  These abilities are what allow him to be so powerful, to lord his strengths over other vampires and maintain control over his domain.  Eternity is a long time and, should Micah or Ethan ever decide to turn their backs on him, they would now present a greater threat.  Something to think about.

***

Overall, I think this book was my favorite of the series.  Ethan gives Micha a run for my favorite male lead in the series.  I think Micah has a better sense of humor, but Ethan has a much better “tortured, angst-ridden, moody male” vibe about him.  I liked Ethan’s head-butting with Saintcrow, but (as previously mentioned) some of the interactions felt a bit forced or nonsensical (as in, they weren’t quite what I was expecting or they didn’t quite fit with Ethan’s emotional state).  I enjoyed the development of Saintcrow, but this proves how the series really does focus on the male leads.  Kadie and Holly really fell to the wayside in this book.  I expected a lot more from Holly as a secondary character, especially because she was the one who helped hook up Ethan and Sophia.  Instead, when it came time for Ethan and Micah to meet, she really took a big leap into the background.  I thought her rapport with Sophia (and as a calming, rational person in Micah’s life…or death, if you’re a stickler for semantics) would go a long way toward developing the plot and conflict, but it didn’t really.  I’m curious to see if other vampires from Morgan Creek will crop up in future books.  Jokes were made that the rest of Micah and Sophia’s family should be turned into vampires since they’ve already gotten a good start, but I don’t know if I expect this to be an actual hint to future stories.

I’m honored that Ashley chose to send me an advanced copy of this book to review.  I’m always thrilled whenever an author reaches out to me and I’m more than happy to contribute my own (tiny) voice to the conversation.  I recommend this book to vampire romance purists out there.  While the romance is a bit tamer than I’m used to, I think this presents a good alternative to those who find other authors a bit too “raunchy.”  There is romance; there are quality classic vampires.  If this is what you’re looking for, then Ashley’s writing is right up your alley.  I had my criticisms for each of the books in this series, but I tend to write much more in-depth reviews when I know an author will see it.  I would want the breadth and depth from anyone who was reviewing my own writing, so I feel like I’m doing a service to the writing community.  I found aspects which could have been expanded upon and some things I felt worked well.  The underlying plot of Morgan Creek is unique, interesting, and creative.  There is a ton of potential here for even more books in the series.

Happy reading!